现存清代中原民间会馆装饰中的儒、道、佛融合

发布时间：2018-01-14 16:03

本文关键词：现存清代中原民间会馆装饰中的儒、道、佛融合　出处：《装饰》2009年01期 　论文类型：期刊论文

【摘要】：清代是中国古建筑艺术臻于完美的最后一个高潮期。中原地处南北文化相互交流、影响的交冲要地,其建筑工艺融北方雄浑壮观之气势和南方严谨柔美之风格于一体,成为一处风标独树的古建筑典范之作。加之当时寓居中原的山、陕商贾"盖压三江"的比富心理,以其雄厚的财力对会馆建筑倾力投入,从而使中原地区的会馆建筑为斯时斯地建筑工程之冠。文章主要从中原现存会馆建筑装饰内容中所蕴含的儒家精髓、道教故事、佛教意味阐述了清代商人外商内儒的气质和以人为本的精神内旨,给今人以启迪。
[Abstract]:The Qing Dynasty is the last high tide of Chinese ancient architectural art. The Central Plains is located in the cultural exchanges between the North and the South, and the impact of the intersection of the major areas. Its architectural technology combines the majestic momentum of the north and the rigorous and soft style of the south, and becomes an example of an ancient building with a wind symbol and a unique tree. In addition, it lived in the mountains of the Central Plains at that time. Shaanxi merchants "cover the pressure of the three rivers" than the rich psychology, with its deep financial resources to the building of the guild pour into. In order to make the Central Plains Guild Building as the top of the architectural engineering, the article mainly from the Central Plains existing hall building decoration content contained in the essence of Confucianism, Taoism story. The Buddhist meaning elaborated the Qing Dynasty merchant merchant inside Confucianism's temperament and the human-oriented spiritual intention, gave the present person to enlighten.
【作者单位】：武汉理工大学艺术与设计学院;
【基金】：民族民间文化艺术遗产抢救、保护与研究课题(课题号05DG122)
【分类号】：TU-86
【正文快照】： 建于清代的中原商业会馆中,木雕、石雕、砖雕等雕刻艺术写生状物,技艺超然。会馆在建造时“运巨材于南北,访名匠于天下”,成为清代民间建筑水平的佼佼者。如河南社旗山陕会馆被誉为“辉煌壮丽天下第一”。当时的会馆由商人筹资筑建,是清代商贾文化精神风貌在建筑装饰中的写照

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