论村上隆作品的装饰意味

发布时间：2018-01-31 05:58

本文关键词： 村上隆新波普主义装饰美学　出处：《扬州大学》2010年硕士论文　论文类型：学位论文

【摘要】： 村上隆——上世纪60年代出生于日本,是二战后新一代艺术家中极具影响力的重要人物之一。他敏锐地发现了日本“御宅一族”的审美观、价值观和世界观的独特和典型,认为这种观念实际上影响了日本国民生活的方方面面,也包括日本当代艺术的走向。村上隆用其精妙的装饰手法,充满浓郁日式动漫特色的图像符号,将日本社会消费文化貌似喧闹升腾背后的单一扁平、缺乏深度的特点展现无疑,给人以直观的视觉美感和强烈的艺术张力。这些作品传达了村上隆对于大众文化日趋浮面肤浅的忧思。作为“日本新波普艺术”的领军人物,村上隆的作品不同于美国式波普艺术。后者是直接挪用大众熟知的文化符号,运用拼贴等手法,将视觉符码从文本内容中抽离,画家像是“一台机器”——理性、漠然。村上隆的作品则是将东方式绘画语言和西方现代艺术的美学理念相融合;将童年记忆与成人世界相链接,力图展现最贴近草根民众的大众流行文化。同样是反传统的现代艺术,村上隆的作品中多了一份温情的人文关怀。加之与诸多奢侈品牌的合作也使他更加关注受众的需求,而其作品的相关衍生产品更是催生了艺术的产业化、商品化,在某种程度上推动了艺术的日常生活化。本文试图对村上隆作品的装饰意味进行研究与剖析,大致结构如下: 首先,由于尚未有文章将村上隆的作品归为装饰作品,所以在第一章有必要对本文研究所涉的“装饰意味”的概念、范围进行界定,并依照时间顺序阐述装饰在现代艺术中的发展和演变过程,说明村上隆作品中确有装饰这一元素的存在;其次,在第二章简单介绍村上隆的艺术历程,并对影响村上隆绘画风格形成的师承渊源进行挖掘和分析;最后在第三章逐一分析村上隆作品的构图、造型和色彩,阐述村上隆是如何运用装饰表现手法,将形式美法则和谐地运用于作品中达到平衡的效果,又是怎样通过丰富的象征意味传递其对于社会深切的人文关怀。本文选取装饰视角,全方位品读村上隆作品中的大众流行文化元素,以期深层次的理解和体会画家作品人文意味,客观地论述村上隆在当代艺术领域的崭新探索和作品的独创价值。
[Abstract]:Murakami, born in Japan in -40s, is one of the most influential artists of the new generation after World War II. He acutely discovered the beauty of Japan's "imperial mansions". The unique and typical values and world outlook hold that this concept has actually affected all aspects of Japanese national life, including the trend of contemporary Japanese art. Murakami used his exquisite decoration techniques. Full of rich Japanese animation features of the image symbols, the Japanese social consumption culture seems to rise behind the rise of a single flat, lack of depth features show no doubt. These works convey Murakami's concern about popular culture. As the leader of "Japanese New Popper Art", Murakami's works are different from those of American pop art. The latter is a direct misappropriation of popular cultural symbols and the use of collage and other techniques. Drawing the visual code from the content of the text, the painter is like "a machine"-rational, indifferent. Murakami's works are the combination of the eastern painting language and the aesthetic idea of western modern art. Linking childhood memories to the adult world, we try to show the popular popular culture that is closest to the grassroots populace. It is also an anti-traditional modern art. Murakami's works have a warm humanistic concern. In addition, the cooperation with many luxury brands also makes him pay more attention to the needs of the audience, and the related derivative products of his works have spawned the industrialization of art. Commercialization, to some extent, promotes the daily life of art. This paper attempts to study and analyze the decorative meaning of Murakami's works, which is roughly structured as follows: First of all, because there is no article to classify Murakami's works as decorative works, it is necessary to define the concept and scope of "decorative meaning" in the first chapter. The development and evolution of decoration in modern art is explained according to the time sequence, and the existence of this element in Murakami's works is explained. Secondly, in the second chapter, it briefly introduces Murakami's artistic course, and excavates and analyzes the origin of the teacher's inheritance that affects the formation of Murakami's painting style. Finally in the third chapter, one by one analysis of the composition of Murakami's works, modeling and color, elaborated how Murakami is the use of decorative expression techniques, the beauty of form in harmony in the works to achieve a balanced effect. And how to convey its profound humanistic concern for society through rich symbolism. This article selects the decoration angle of view, reads the popular culture element in Murakami's works in all directions, in order to deeply understand and understand the humanism meaning of the painter's works. This paper objectively discusses Murakami's new exploration in the field of contemporary art and the original value of his works.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J205

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