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明清瓷器装饰纹样艺术研究

发布时间:2018-03-27 16:09

  本文选题:明清时期瓷器 切入点:装饰纹样 出处:《武汉理工大学》2008年硕士论文


【摘要】: 装饰纹样艺术的起源和发展经历了几千年漫长的演变过程。在当代,随着科学的进步,新材料新技术的应用,更为我们的装饰艺术开拓了新的领域。如何创造出新的不朽之作,在继承民族传统艺术的基础上发扬创新是新时代赋予我们的历史使命。装饰艺术设计既要有民族风格,又要具有时代特色,以适应社会的发展。继承与创新是建立在探索与实践的基础上,中国传统装饰艺术是在探索实践中获得创新与发展。今天的我们作为艺术大军的后备力量更要以时代的审美和创新的理念进行研究、探索、实践、在不断的渐进变化中完善装饰艺术,本文通过对明清时期瓷器纹饰设计的收集与分类整理,概述纹饰的内容,类型与种类,分析出纹饰的表现形式及美学特征。在此基础上,对明清时期瓷器纹饰进行现代应用的提炼研究,以使其符合现代瓷器设计的需求,并且能用于现代瓷器纹饰设计之中,使得我们可以更好的继承及发扬这种优秀的传统文化,并且在此基础上进行进一步的创新设计,以顺应时代的要求,反映出当代的艺术特色,让我们的生活中融入更多的艺术美。 通过分析、总结,本研究主要得出以下三个方面结论: (1)明清时期瓷器纹饰由于受到民俗文化、宗教信仰、时代特殊性以及历史文化传承等因素的影响形成了复杂多样化的特征。其纹饰基本型不但包罗的物象丰富,种类繁多,还反映出大量的历史、人文信息。其纹饰整体造型不但具有抽象化,图案化的性格,还注重运用写实的手法,使纹饰具有生命力。这些特征都是明清时期瓷器纹饰所特有的最典型的特征。 (2)通过举例、归纳、对比、分析纹饰的内容及形式,提炼出明清时期瓷器纹饰两点重要的美学特征:一个是饱满、繁复,巧密的纹饰装饰风格,另一个是明清时期瓷器纹饰中的中国书画气质。 (3)明清时期瓷器纹饰的内涵及美学特征,不但对于现代瓷器纹饰设计的创作有巨大的借鉴意义,而且也为现代瓷器艺术提供了丰富的设计元素。通过分析证明了明清时期瓷器纹饰运用于现代瓷器纹饰设计中的可行性,同时提出具有时代特征的创新性设计的构想,这种创造性的结合很有必要性,也具有很大的市场前景。
[Abstract]:The origin and development of decorative pattern art has experienced a long evolution for thousands of years. In contemporary times, with the progress of science, the application of new materials and new technology, our decorative art has opened up new fields. To carry forward innovation on the basis of inheriting traditional national art is the historical mission entrusted to us by the new era. Decorative art design should have both national style and characteristics of the times. In order to adapt to the development of society, inheritance and innovation are based on exploration and practice, Chinese traditional decorative art is to obtain innovation and development in the exploration practice. Today, as the reserve force of the art army, we should study, explore and practice with the aesthetic and innovative ideas of the times. Through the collection and classification of porcelain decoration design in the Ming and Qing dynasties, this paper summarizes the contents, types and types of the ornaments, and analyzes the forms of expression and aesthetic characteristics of the ornaments, on the basis of the collection and classification of the design of the porcelain ornaments in the Ming and Qing dynasties. In order to meet the needs of modern porcelain design and to be used in the design of modern porcelain ornaments, we can inherit and carry forward this excellent traditional culture better by refining and studying the modern application of porcelain ornaments in the Ming and Qing dynasties. And on this basis, further innovative design to conform to the requirements of the times, reflect the characteristics of contemporary art, so that our life into more artistic beauty. By analyzing and summarizing, the main conclusions of this study are as follows:. Due to the influence of folk culture, religious belief, the particularity of the times and the historical and cultural heritage, the porcelain ornaments of the Ming and Qing dynasties formed complex and diversified characteristics. It also reflects a large amount of historical and humanistic information. The overall modeling of its ornaments not only has an abstract and patterned character, but also pays attention to the use of realistic techniques. These characteristics are the most typical characteristics of porcelain decoration in Ming and Qing dynasties. 2) through examples, induction, comparison and analysis of the contents and forms of the ornaments, two important aesthetic features of the porcelain ornaments in the Ming and Qing dynasties were abstracted: one was the full, complicated and compact decorative style of the ornaments, The other is the Chinese painting and calligraphy temperament in the porcelain ornaments of the Ming and Qing dynasties. (3) the connotation and aesthetic features of porcelain ornaments in Ming and Qing dynasties are not only of great significance for the creation of modern porcelain decoration design, It also provides abundant design elements for modern porcelain art. The feasibility of applying porcelain ornaments in Ming and Qing dynasties to the design of modern porcelain ornaments is proved through the analysis. At the same time, the concept of innovative design with the characteristics of the times is put forward. This kind of creative union is very necessary, also has the very big market prospect.
【学位授予单位】:武汉理工大学
【学位级别】:硕士
【学位授予年份】:2008
【分类号】:J527

【引证文献】

相关硕士学位论文 前9条

1 王静;明代缠枝纹视觉形式语言研究[D];湖南工业大学;2010年

2 滕道洋;中国传统陶瓷菊花纹装饰特征演变研究[D];景德镇陶瓷学院;2011年

3 邵美英;洗尽铅华 古朴典雅[D];曲阜师范大学;2011年

4 刘光甫;明代景德镇青花山水纹饰艺术特征的演变规律研究[D];景德镇陶瓷学院;2010年

5 李曼;明清时期陶瓷石榴纹装饰特征演变研究[D];景德镇陶瓷学院;2010年

6 邱悦;明清吉祥纹样在茶室空间中的应用研究[D];齐齐哈尔大学;2012年

7 龙侗香;明清陶瓷兰花纹装饰特征演变研究[D];景德镇陶瓷学院;2012年

8 江婷芳;明嘉靖时期陶瓷鹤纹的艺术特征研究[D];景德镇陶瓷学院;2013年

9 李丹;陶艺石榴纹研究[D];景德镇陶瓷学院;2013年



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