少数民族装饰艺术发展的社会学解析

发布时间：2018-04-05 08:40

本文选题：少数民族　切入点：装饰艺术　出处：《贵州民族研究》2017年05期

【摘要】：装饰艺术对绘画与雕塑工艺的依附,使其研究脉络一直循着美学形式的发展方向推进,直到20世纪初西方社会学派第一次将装饰艺术与社会运行机制联系在一起,促使人们不再仅仅专注于形而上的审美理想。虽然我国少数民族装饰艺术的发展历史悠久,但将其作为社会组成部分来把握与反思"社会人"的公共动机、情绪行为、消费心理等研究体例却极为少见。在此,立足于西方社会学理论体系,论述了少数民族装饰艺术的功能性发展、情感性发展以及逻辑性发展进程,探讨了社会内在机制对人们美感知觉的唤醒,提出了少数民族装饰艺术跨越保守人文关怀局限,实现人与社会审美关系平衡的发展畅想。
[Abstract]:The dependence of decorative art on painting and sculpture makes the research of decorative art follow the development direction of aesthetic form, until the beginning of the 20th century, the Western school of society first connected the decorative art with the social operation mechanism.Urge people not only to focus on metaphysical aesthetic ideals.Although the development of Chinese minority decorative art has a long history, it is seldom used as a part of society to grasp and reflect on the public motivation, emotional behavior and consumption psychology of "social person".Based on the western sociological theory system, this paper discusses the functional development, affective development and logical development of the decorative art of ethnic minorities, and probes into the awakening of people's perception of beauty by the internal mechanism of society.This paper puts forward that ethnic decorative art surmounts the limitation of conservative humanistic care and realizes the balanced development of aesthetic relationship between human and society.
【作者单位】：平顶山学院艺术设计学院;
【基金】：河南省软科学计划项目(课题编号:122400450026)
【分类号】：J525

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