中国传统建筑装饰的形式内涵分析

发布时间：2018-04-05 10:41

本文选题：装饰风格　切入点：装饰题材　出处：《清华大学》2004年硕士论文

【摘要】：中国传统建筑装饰拥有非常悠久的历史,在其漫长的发展历程中,产生过大量具有鲜明艺术特色的装饰形式和作品,而且,作为中国传统建筑及造型艺术领域重要的组成部分,它也表现出深远的艺术、文化与社会意义,因此,探究它的这些特点,成为我撰写这篇论文的主要目的。在论述过程中,文章首先分析了传统建筑装饰的来源与核心问题,虽然这一问题难度较大且相对复杂,但它却是不可回避的。文章通过实地考查现有建筑古迹的装饰遗存,查阅大量的考古发现和文献记载,并综合各历史时期的社会背景,而提出以实用、巫术、美学为基础的三大来源,并存在以等级观念、祈愿理想、教化风尚为主的核心观念。接下来 ,文章又针对传统建筑装饰中品类丰富的手法展开简述,以民间风格、文人风格、宗教风格及官式风格为主线,解析每种风格的特点,从中梳理出主要的建筑装饰风格脉络。在以上两部分的基础上,我尝试总结了中国传统建筑装饰在题材和造型方面的规律性内涵,这一章也是整篇论文的重点。其中,我将装饰题材的总体特征概括为是理想化的,并从神圣而谨慎的取材、正大而鲜明的主题、吉祥而圆满的寓意等方面说明了这种理想化所代表的内容;而将装饰造型概括为是程式化的,也以曲直相和、刚柔互济的线条,内外相斗、动静互生的体势,疏密相间、离合互应的布局为基本论点,系统的阐释了蕴含在各种装饰造型之中的内在规律,从而为设计中吸纳和转换传统建筑装饰的内容与形式提供了一定的理论基础。在最后部分,文章结合当代全球化浪潮对传统文化形成冲击的现实,以及我们振兴民族艺术的迫切责任,提出了关于传统建筑装饰在新时代的继承与发展问题,包括其现实意义,继承过程中面临的问题和机遇,创新的思路与实践等方面。本文由探讨各种装饰手法的表象入手,深入分析其中的形式内涵,以探寻由此反映出的内在造型及审美规律,并争取通过这方面的研究为弘扬民族传统文化做出一点贡献。
[Abstract]:Chinese traditional architectural decoration has a very long history, in its long development process, has produced a large number of decorative forms and works with distinctive artistic characteristics, and, as an important part of Chinese traditional architecture and plastic arts,It also shows profound artistic, cultural and social significance. Therefore, exploring its characteristics has become my main purpose in writing this paper.In the process of discussion, the article first analyzes the origin and core problem of traditional architectural decoration. Although this problem is difficult and relatively complex, it is unavoidable.Through the field investigation of the decorative remains of the existing architectural monuments, the article refers to a large number of archaeological discoveries and literature records, and synthesizes the social background of each historical period, and puts forward three major sources based on practicality, witchcraft and aesthetics.And the existence of hierarchical concept, wish ideal, the core concept of civilized fashion.Next, the article aims at the traditional architectural decoration in the rich variety of techniques to start a brief description, with folk style, literati style, religious style and official style as the main line, analyze the characteristics of each style,Sort out the main architectural decoration style context.On the basis of the above two parts, I try to summarize the theme and modeling of the Chinese traditional architectural decoration, this chapter is also the focus of the whole paper.Among them, I will decorate the theme of the overall characteristics as idealized, and from the sacred and careful material, the big and bright theme, auspicious and complete moral and other aspects to illustrate the idealization of the representative content;The decorative modeling is summarized as stylized, and the basic arguments are the straight and flexible lines, the internal and external fighting, the dynamic and dynamic dynamics of each other, the arrangement of dense, clutch and mutual response.This paper systematically explains the inherent law contained in all kinds of decorative modeling, thus providing a certain theoretical basis for absorbing and transforming the contents and forms of traditional architectural decoration in the design.In the last part, combining the reality of the impact of the contemporary globalization wave on the traditional culture and our urgent responsibility to revitalize the national art, the paper puts forward some questions about the inheritance and development of the traditional architectural decoration in the new era.Including its practical significance, problems and opportunities in the process of inheritance, innovative ideas and practice.This article begins with the discussion of the appearance of various decorative techniques, and analyzes the formal connotation in order to find out the inherent modeling and aesthetic law reflected from it, and to make some contributions to carrying forward the traditional culture of the nation through the research in this respect.
【学位授予单位】：清华大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：TU238

【引证文献】