藏式建筑外墙布品装饰艺术研究
本文选题:藏式建筑 切入点:外墙布品 出处:《苏州大学》2013年硕士论文
【摘要】:西藏是一个储备了众多的地域性装饰符号的巨大母体,作为中国传统的藏族聚居地,地域建筑有着悠久历史和传统。近年来随着西部开发和藏域经济文化产业的发展,如何保持地域特色,避免丧失本土化及个性化,如何运用光大如此丰厚的装饰元素,是一个对于我们或者说对于从事装饰设计方面的设计者们,值得去关注和探讨的领域。 在西藏地区传统社会文化氛围中,宗教是其中的一个重要的支配因素,与其关联的藏式传统建筑如寺庙、宫殿等,都可以说是藏族传统地域建筑当中的代表,与其相适应的装饰及色彩的运用,在藏式建筑中有着及其重要的地位,极具民族特征,以这种色彩为基底的、附属于藏式建筑外墙的种种布品装饰,也蕴含着与之配套的文化内涵。虽然他们只是藏式建筑中的一小分子,但绝对是那其中的点睛之笔。 论文选择从藏式建筑装饰及色彩这一角度为出发点,结合已有相关资料对其进行较为全面的解析研究,通过实地调研和研究,掌握藏式建筑外墙布品装饰元素的主要特征,对如何在今后不同设计领域中,尤其在装饰设计方面,结合装饰及色彩的应用来进行探讨。论文首先综述藏地人文、宗教背景,地理环境、气候以及宗教文化对西藏建筑的影响,介绍藏式独特的建筑文化。然后,结合实地调研资料,归纳藏式建筑外墙布品装饰各个种类、题材、纹样等方面的特征,总结藏式建筑外墙布品装饰的整体内涵,分析藏式建筑外墙布品装饰的文化成因,归纳布品装饰手法运用特征和规律,以及当今的发展方向和趋势。 在文章的最后,结合当前的现状和地域装饰创作倾向,依据西藏地区特殊的人文背景,提出藏式装饰元素在现代装饰艺术设计中的应用以及其现实意义。然后以弘扬传统文化为原则,设计中再现传统形式、创新传统形式等应用方法,最后通过多元、开放的创作思维,对今后应用提出相关的装饰艺术设计手法上的创新思路。
[Abstract]:Tibet is a huge mother body with a large number of regional decorative symbols. As a traditional Tibetan settlement in China, regional architecture has a long history and tradition.In recent years, with the development of the western region and the Tibetan economic and cultural industry, how to maintain the regional characteristics, avoid the loss of localization and individualization, and how to use such rich decorative elements,For us or for designers engaged in decorative design, it is worth paying attention to and exploring the field.In the traditional social and cultural atmosphere in Tibet, religion is one of the important dominating factors. Tibetan traditional buildings associated with them, such as temples and palaces, can all be said to be representatives of Tibetan traditional regional architecture.The matching decoration and the use of colors play an extremely important role in Tibetan architecture, and have extremely national characteristics. Based on this color, all kinds of cloth ornaments attached to the external walls of Tibetan buildings are decorated.It also contains its cultural connotations.Although they are only a small part of Tibetan architecture, they are definitely the finishing touch.This paper chooses the Tibetan architecture decoration and the color as the starting point, unifies the related data to carry on the relatively comprehensive analysis research, through the field investigation and the research, grasps the Tibetan building exterior wall cloth decoration element main characteristic,This paper discusses how to combine decoration and color in different design fields in the future, especially in decoration design.Firstly, the paper summarizes the influence of Tibetan culture, religious background, geographical environment, climate and religious culture on Tibetan architecture, and introduces the unique Tibetan architectural culture.Then, combined with the field investigation data, the paper summarizes the characteristics of various types, themes, patterns and other aspects of the fabric decoration of the external wall of Tibetan architecture, sums up the overall connotation of the fabric decoration of the external wall of the Tibetan architecture, and analyzes the cultural causes of the fabric decoration of the external wall of the Tibetan architecture.This paper summarizes the characteristics and rules of cloth decoration, and the development direction and trend.At the end of the article, according to the present situation and the tendency of regional decoration creation, according to the special humanistic background in Tibet, the application of Tibetan decorative elements in modern decorative art design and its practical significance are put forward.Then in order to carry forward the traditional culture as the principle, the design reproduces the traditional form, innovates the traditional form and so on the application method, finally through the plural, the open creation thought, proposed the related decoration art design technique innovation thought to the future application.
【学位授予单位】:苏州大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:TU-86
【共引文献】
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