当前位置:主页 > 文艺论文 > 装饰艺术论文 >

装饰艺术形式美的研究

发布时间:2018-04-08 14:17

  本文选题:装饰绘画 切入点:形式 出处:《辽宁师范大学》2012年硕士论文


【摘要】:从20世纪下半叶开始,随着社会生产力的发展,工业的进步和人民生活水平的日益提高,人们对艺术品美化生活和环境的需求空前高涨。各种各样的艺术品开始走进人们的生活,走进千家万户。 装饰艺术因其优美的形式、饱满浓郁的色彩和雅俗共赏的题材更是得到了人们的青睐。有位评论家的话虽然说的很直白,但在一定程度上也反映了真实的状况,那就是:人们对艺术品的需求和观赏有层次高低之别。鱼龙混杂,高低不一的作品充斥了艺术领域,越是具有时代潮流的流行要素的作品,就代表越有艺术性和艺术价值吗?其实不然,真正具有艺术性的作品往往是超越时代的。 真正有恒久艺术价值的作品,一定不是现如今大量复制和充斥于市场的所谓商业画。真正的装饰艺术也不是只具有肤浅的观赏和美化的功能性价值。装饰绘画作为一个新兴不久的概念,美术界对它的界定和定义是有争议甚至是偏颇的,认为装饰艺术不具备深远的艺术价值。但是主流观点认为:装饰艺术在艺术价值上、在审美的表现上同所谓的“纯艺术”是不相上下的,装饰绘画不仅仅是器具或建筑上的附属品,装饰艺术与油画艺术、国画艺术或是雕塑艺术甚至建筑艺术一样具有永恒的价值。综合绘画艺术包含装饰绘画、材料性绘画、多媒体艺术、声像艺术和行为艺术等。装饰绘画是装饰艺术领域研究的分支。在这里我们主要讨论的是装饰绘画这个层面,它有着独特的艺术风格和特点。其中最重要的特征便是:鲜明的形式感、平面化的处理和浓郁的装饰风格。装饰性绘画中极强的装饰感便是来自这些构成画面的形式化要素的作用,这些形式化艺术语言对画面情感的表达有至关重要的作用。 在装饰意味浓郁的作品中,无论是哪种形式哪种风格都离不开艺术创作统一的规律,即:变化和统一的协调、鲜明的主题、特征突出同时又有耐人寻味的内涵。对于装饰绘画来讲,作品中的形式美是画家对其艺术品进行创作时采取的表现方法和审美方式。这种方式方法就是我们要探讨和研究的画面形式感与画面情感表达的关系。 在当今西方绘画与中国绘画正在相互融合、相互碰撞和相互吸收的大环境下,装饰绘画也不停地从中汲取着营养,,不断地呈现出更加多元化的局面。我们要从艺术本质的角度来理解艺术的形式本身和艺术品情感表达的关系。在形式与情感表达的方面开拓更宽广的道路,创作更多的艺术佳作。
[Abstract]:Since the second half of the 20th century, with the development of social productivity, the progress of industry and the improvement of people's living standard, the demand for art to beautify life and environment has never been higher.Various works of art began to enter people's lives, into thousands of households.Decorative art is favored by people because of its beautiful form, full of rich colors and popular themes.One critic, though bluntly speaking, partly reflects the real situation: people's need for art varies from the level of appreciation.The more popular elements of the times, the more artistic and artistic value?In fact, the real artistic works are often beyond the times.A work of real enduring artistic value must not be the so-called commercial painting that is reproduced and flooded with the market today.Real decorative art is not only superficial ornamental and beautification of the functional value.Decorative painting as a new concept, the definition and definition of it is controversial and even biased, that decorative art does not have far-reaching artistic value.But the mainstream point of view is that decorative art is equal to the so-called "pure art" in terms of artistic value and aesthetic performance. Decorative painting is not only a piece of utensils or architectural accessories, but also an art of decoration and oil painting.Chinese painting art, sculpture art or even architectural art has eternal value.Integrated painting art includes decorative painting, material painting, multimedia art, audio-visual art and performance art.Decorative painting is a branch of the field of decorative art.Here we mainly discuss the decorative painting level, it has a unique artistic style and characteristics.Among them the most important characteristic is: the vivid form sense, the plane processing and the rich decoration style.The strong sense of decoration in decorative painting is the function of these formalized elements that constitute the picture. These formal artistic languages play an important role in the expression of emotion of the picture.In the rich decorative works, no matter which form or style is inseparable from the law of unity of artistic creation, that is, the coordination of change and unity, the distinct theme, the outstanding features and the intriguing connotation at the same time.For decorative painting, formal beauty in works is the expression and aesthetic method adopted by painters when they create their works of art.This method is to explore and study the relationship between the sense of form and the emotional expression of the picture.Nowadays, Western painting and Chinese painting are merging, colliding with each other and absorbing each other, decorative painting is constantly drawing nutrition from it, showing a more diversified situation.We should understand the relationship between art form itself and art emotional expression from the angle of artistic essence.In form and emotional expression to open up a wider road, create more fine works of art.
【学位授予单位】:辽宁师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J525

【参考文献】

相关期刊论文 前2条

1 翟勇;;“意象油画”之我见[J];美术;2006年02期

2 赵希岗;现代图形设计与传统图案[J];装饰;2003年04期



本文编号:1721980

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/shinazhuanghuangshejilunwen/1721980.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户4f0b2***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com