民族文化积淀下的审美趣味——从不为装饰的装饰构件斗拱谈起

发布时间：2018-04-16 04:00

  本文选题：民族建筑 + 审美趣味　； 参考：《美术界》2005年01期

【摘要】：本文从斗拱的二重性,即结构和装饰性,在各个历史时期所产生的变化,体现了不同时期人们审美趣味的转化。特别是在近现代,斗拱演变成各种不同的面貌,虽然有"虚假"、"冒充"之嫌,也存在着承重和装饰的作用,是置于装饰而隐于结构之中,与唐宋之风相反,人们审美趣味产生了转变。当今随着建筑的机器大生产,装饰与结构被赶到两个极端,结构与装饰相脱离,中国建筑特色的不为装饰的装饰之道也随之送尽。只有恢复中国建筑文化的思想,保持本土建筑文化维护其原有特质,中国建筑才有民族性,只有建筑的民族性,才有国际性。并以此来探讨当代中国建筑的新审美趣味。
[Abstract]:From the duality of bucket arch, that is, structure and decoration, the changes in each historical period reflect the transformation of people's aesthetic taste in different periods.Especially in modern times, the bucket arch has evolved into various faces. Although it is "false" and "impersonated", it also has the function of bearing weight and decoration. It is placed in decoration and hidden in the structure, contrary to the wind of Tang and Song dynasties.People's aesthetic taste has changed.Nowadays, with the large-scale production of architecture machinery, decoration and structure are driven to the two extremes, structure and decoration are separated from each other.Only by restoring the thought of Chinese architectural culture and maintaining the native architectural culture to maintain its original characteristics can Chinese architecture have a national character and only the national character of a building can have an international character.And to explore the contemporary Chinese architecture of the new aesthetic taste.
【分类号】：J50
，

本文编号：1757180