南阳汉画像石图案装饰艺术研究

发布时间：2018-05-02 05:07

本文选题：南阳汉画像石 + 图案　；参考：《江南大学》2009年硕士论文

【摘要】： 南阳汉画像石的图案装饰艺术是汉文化的结晶,可也说是中原文化与楚文化交融、合作的成果,也是汉代造型语言的杰出代表。南阳又有其政治、文化、经济、地理位置的独特地位,在这个“物华天宝'、“人杰地灵”的地方,自然会催生出诸多有独特风韵的艺术作品,南阳汉画像石便是南阳地区艺术门类中的典型。“历史向前一步的发展,往往是伴随着后退一步的探古穷源”,也是本文对南阳汉画像石进行研究的出发点与核心目的。汉画像石寄托了汉代人升天成仙、生命永恒的愿望,其图案更是一种有代表性的装饰艺术。南阳汉画像石的图案把生活中的自然形象,经过艺术加工,使其基本造型要素、构图等适用装饰审美原则,造就兼具现实主义与浪漫主义风格于一身的南阳汉画像石装饰艺术。本文以南阳汉画像石图案为研究对象,从历史的、文化的角度,探讨了南阳汉画在汉画艺术中的地位以及南阳汉画艺术产生的各种因素,以及南阳汉画像石图案装饰艺术的分类、雕刻技法、文化内涵等内容;重点深入分析了南阳汉画像石基本要素的构成特点与装饰构图,总结了南阳汉画像石图案的装饰法则,进而提炼出南阳汉画像石图案的装饰美的规律;阐述了南阳汉画像石的艺术价值在现代语境中的造型艺术及南阳当地创意文化的传承与发展,达到“古为今用”的研究目的。
[Abstract]:The decorative art of painting stone in Han Dynasty in Nanyang is the crystallization of Han culture, but it is also the result of the fusion and cooperation between the culture of Central Plains and the culture of Chu, as well as the outstanding representative of the modeling language of the Han Dynasty. Nanyang also has its unique position in politics, culture, economy and geographical location. In this place of "Wuhua Tianbao" and "outstanding people", many unique works of art will naturally emerge. Nanyang Han stone portrait is a typical art category in Nanyang area. The development of history is often accompanied by a backward step to explore the source of poverty, which is also the starting point and core purpose of this paper to study the stone relief of the Han Dynasty in Nanyang. The stone relief of the Han Dynasty reposed the immortal desire of the people in the Han Dynasty, and its design was also a representative decorative art. The pattern of stone relief in Nanyang Han Dynasty transforms the natural image of life through artistic processing, making its basic modeling elements, composition and other applicable decorative aesthetic principles, so as to bring up the decorative art of Nanyang Han stone portrait with both realism and romanticism style. This article takes the Han Dynasty stone relief pattern of Nanyang as the research object, from the historical and cultural point of view, discusses the position of Nanyang Han painting in the Han painting art and the various factors of the Nanyang Han painting art. As well as the classification, engraving techniques, cultural connotation and other contents of the decorative art of the Han Dynasty stone relief pattern in Nanyang, the paper analyzes in depth the composing characteristics and decorative composition of the basic elements of the stone relief in Nanyang Han Dynasty, and summarizes the decorative principles of the stone relief pattern in the Han Dynasty in Nanyang. Then it abstracts the law of decorative beauty of Nanyang Han Dynasty stone relief pattern, expounds the art value of Nanyang Han stone portrait in modern context and the inheritance and development of Nanyang local creative culture, so as to achieve the purpose of "using the past for the present".
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：K879.4

【引证文献】