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谈青花装饰艺术风格

发布时间:2018-05-02 13:30

  本文选题:装饰艺术 + 元代青花瓷器 ; 参考:《美术》1994年10期


【摘要】:正 “风格”作为一种美学概念,这里是指青花装饰艺术的特征,风格的形成是其艺术成熟的标志。 “青花装饰”作为陶瓷釉下彩绘的一种艺术形式,是以发色稳定的钴矿为彩料,在坯体上进行彩绘后,罩以透明青白釉,入窑用还原焰烧成。温度约1300度至1320度。烧后的纹样和青白釉协调融洽呈现幽靓明快而又沉静的青蓝色。 青花装饰艺术历史悠久。出土实物表明,青花装饰创始于唐代,形成于元代后期,繁荣昌盛于明代,衰于清代雍正以后。历经了近千年的发展史,即装饰风格更新、演变和发展的历史。 青花装饰艺术在漫长的发展过程中,历代
[Abstract]:As an aesthetic concept, "style" refers to the characteristics of blue and white decorative art, and the formation of style is the sign of its art maturity. "Blue and white decoration", as an art form of ceramic underglaze painting, is made of cobalt ore with stable hair color, painted on the green body, covered with transparent blue and white glaze, and burned in kiln with the original flame. The temperature is about 1300 to 1320 degrees. After burning patterns and green white glaze harmonious harmony presents beautiful bright and quiet blue blue. Blue and white decorative art has a long history. The unearthed objects show that the blue and white decoration was founded in the Tang Dynasty, formed in the late Yuan Dynasty, flourished in the Ming Dynasty and declined after Yongzheng in the Qing Dynasty. After nearly a thousand years of development, namely decoration style update, evolution and development of the history. Blue and white decorative art in the long process of development, the past dynasties
【分类号】:J52

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本文编号:1834136


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