简析凤鸟纹样装饰特征的演变

发布时间：2018-05-22 13:16

本文选题：凤鸟文化 + 图腾　；参考：《西安美术学院》2008年硕士论文

【摘要】： 凤鸟纹样是我国民族传统文化的精髓。从新石器时期的陶器到现代社会的各种工艺品,凤纹无不在装饰文化艺术中扮演着重要的角色。凤鸟纹样的演变是中国传统装饰艺术的演变脉络,凝聚着中华民族独特的审美意识和价值观念,代表了中华民族的精神图腾。在秦代之前,凤是众多民族的氏族图腾符号,人们以各种抽象符号的手法表现凤纹造型。从秦汉开始,凤纹造型经历了重大的变革,在前期凤纹艺术文化历史的积淀下厚积薄发,进入了具象写实的装饰时期。现代凤纹艺术凭借着深厚而多元的传统,继续展现着凤纹文化和造型的独特魅力,使中国传统文化和艺术发扬广大。本文试图透过凤鸟纹样传统造型艺术的历史延伸,揭示其装饰特征的演变和丰富的文化内涵。本文主要分为五个部分:首先说明凤鸟的起源、凤的图腾崇拜以及崇拜的引因,得出凤与人类生活关系紧密,凤纹的创作来源于现实生活中的结论;其次主要从凤鸟纹样的造型和历代所出现凤鸟的族类阐述了凤纹形象的来源;第三部分根据历代考古发现的凤纹资料对凤纹的演变进行分析,并着重诠释了凤纹在图腾符号装饰时期的各个时段的装饰艺术特征;第四部分主要系统介绍从秦汉到明清时期的凤纹装饰特征,对凤纹艺术具象写实的装饰时期特征进行客观总结;最后笔者对现代凤纹的装饰艺术特性概括,认为现代凤纹的延伸是对原始母题的继承与延续,也是对其外在形式的衍生与拓展。
[Abstract]:Phoenix bird pattern is the essence of Chinese traditional culture. Phoenix patterns play an important role in decorative culture from pottery in the Neolithic period to various handicrafts in modern society. The evolution of Phoenix bird pattern is the evolution of Chinese traditional decorative art, which condenses the unique aesthetic consciousness and value concept of the Chinese nation and represents the spirit totem of the Chinese nation. Before Qin Dynasty, Feng was the totem symbol of many nationalities. Since the Qin and Han dynasties, the Phoenix pattern has undergone a great change, and it has entered the decorative period of concrete realistic writing under the accumulation of the artistic and cultural history of the Phoenix pattern in the early period. Modern Phoenix art, with its profound and diverse tradition, continues to display the unique charm of Phoenix culture and modeling, which makes Chinese traditional culture and art carry forward the broad range. This paper attempts to reveal the evolution of decorative features and rich cultural connotations through the historical extension of Phoenix bird pattern traditional plastic arts. This paper is mainly divided into five parts: first, explain the origin of Phoenix bird, the totem worship of Phoenix and the cause of worship, draw the conclusion that Phoenix and human life are closely related, Phoenix's creation comes from the conclusion of real life; Secondly, the origin of Phoenix image is explained from the modeling of Phoenix pattern and the kind of Phoenix bird that appeared in past dynasties. The third part analyzes the evolution of Phoenix pattern according to the archaeological data of Phoenix pattern. The fourth part mainly introduces the decorative features of Phoenix patterns from Qin and Han dynasties to Ming and Qing dynasties, and explains the decorative artistic characteristics of Phoenix patterns in each period of totem symbol decoration period, the fourth part systematically introduces the decorative features of Phoenix lines from the Qin and Han dynasties to the Ming and Qing dynasties. Finally, the author summarizes the decorative art characteristics of modern Phoenix patterns, and thinks that the extension of modern Phoenix patterns is the inheritance and continuation of the original motif. It is also the derivation and expansion of its external form.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J522

【引证文献】