徐州汉墓形制与装饰画像变迁研究

发布时间：2018-05-28 16:23

本文选题：徐州汉墓 + 汉墓形制　；参考：《江南大学》2017年硕士论文

【摘要】：徐州作为汉代汉高祖刘邦的故乡以及重要封国之一,汉代墓葬数量众多,迄今为止所发掘的汉代墓葬为研究汉代的文化提供了丰富的物质资料。在承接汉代以前周、楚、秦制墓葬的基础上,加以创新形成了汉代所特有的墓葬形制、装饰画像面貌。汉代以后墓葬形制由椁墓到室墓的突变;徐州大型诸侯王墓的墓道、甬道、墓门出现以及在长度、宽度方面的变迁;其顶部结构经历平顶、拱顶、屋殿顶、券顶、穹隆顶的演变;徐州中小型汉墓墓制包括木椁墓、石椁墓、石室墓、砖室墓、砖石混和墓以及汉墓画像在构图、题材、装饰图案、造型四个方面的变迁不得不引起我们的思考:这些有着时代烙印的人工制品是如何发生一系列有规律的变化的?为什么仅在汉代呈现如此丰富而又饶有趣味的变化?是什么原因导致了这样的文化现象?一系列的问题驱使着我去探寻学术的奥秘。本文首先通过专题探究徐州汉墓形制和徐州汉墓装饰画像的变迁,深层次的去挖掘其潜在的艺术和宗教价值尤其是宗教价值,以考古发掘的徐州地区的王侯墓葬、中小型墓葬为依托在通过西汉早期、西汉中期、西汉晚期、东汉早期至东汉中期、东汉中晚期五个阶段探究汉墓形制的演变过程,以徐州特色之一汉画像石墓为主体通过西汉早期、西汉中期至西汉晚期、西汉末期至东汉早期、东汉早期至东汉中期、东汉晚期探析汉墓装饰画像的变迁轨迹。最后依附以上两个角度研究结果深层次的挖掘其变迁所蕴含的汉代文化内涵,梳理出产生此现象的原因包括物质方面(社会生产)和精神方面(宗教)两方面相互影响造成的,最后总结其在宗教方面特别是生死信仰体系下所完成的变迁并且在墓葬中实施宗教行为。
[Abstract]:Xuzhou, as the hometown of Han Dynasty's Liu Bang and one of the important countries of the Han Dynasty, has a large number of tombs in the Han Dynasty. So far, the tombs excavated in the Han Dynasty have provided abundant material materials for the study of the Han Dynasty culture. On the basis of the tombs made in Zhou, Chu and Qin dynasties before the Han Dynasty, the unique tombs of Han Dynasty were formed. After the Han Dynasty, the shape of tombs changed from outer coffin tombs to chamber tombs; the tomb path, passageway and door of Xuzhou large imperial tombs appeared and changed in length and width; the top structure experienced flat roof, vault roof, house roof, and voucher roof. The evolution of the dome; Xuzhou medium and small Han tombs including wooden coffin tombs, stone tombs, masonry mixed tombs and portraits of Han tombs in composition, subject matter, decorative patterns, The changes in four aspects of modeling have to arouse our consideration: how do these artificial products with the brand of the times take place a series of regular changes? Why did only the Han Dynasty show such rich and interesting changes? What is the cause of this cultural phenomenon? A series of questions drove me to explore the mysteries of academia. Firstly, this paper probes into the changes of the shape of Xuzhou Han tombs and the decorative paintings of Xuzhou Han tombs, and deeply excavates their potential artistic and religious values, especially religious values, in order to excavate the tombs of the princes in Xuzhou, which have been excavated by archaeology. The middle and small size tombs depend on the five stages of the early Western Han Dynasty, the Middle Western Han Dynasty, the late Western Han Dynasty, the early Eastern Han Dynasty to the Middle Eastern Han Dynasty, and the middle and late Eastern Han Dynasty to explore the evolution process of the Han Tombs. Through the early Western Han Dynasty, from the middle of the Western Han Dynasty to the late Western Han Dynasty, from the late Western Han Dynasty to the early Eastern Han Dynasty, from the early Eastern Han Dynasty to the Middle Eastern Han Dynasty, and the late Eastern Han Dynasty to the late Eastern Han Dynasty, this paper probes into the vicissitudes of the decorative paintings of Han tombs. Finally, the research results from the above two angles deeply excavate the cultural connotation of the Han Dynasty contained in its vicissitude, combing out the causes of this phenomenon, including the material (social production) and spiritual (religious) mutual influence. Finally, it summarizes the changes in religion, especially in the belief system of life and death, and carries out religious acts in tombs.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

【参考文献】