装饰色彩学在写实油画中的应用

发布时间：2018-05-28 22:35

本文选题：装饰色彩 + 色彩搭配　；参考：《西北民族大学》2010年硕士论文

【摘要】：油画是一门视觉语言。其中,写生色彩学是以科学的光色原理为依据的。具象写实油画家在表现物像的三维空间、质感等的同时,也在追求色彩内在的形式美。绘画形式美包含有多方面的内容,如：它可以从构图的角度对画面的色块进行分割,从而使色块间产生大小、疏密,形状方面的对比与节奏；在色彩的配置方面表现出色彩的大的冷暖、纯灰、黑白灰的布局与穿插。而作为色彩学的另一分支,装饰色彩学着重研究固有色的搭配问题,其成体系的、卓越的典型范例是敦煌壁画和日本浮世绘,二者在色相的搭配,色域的穿插等方面给予我们学习油画的学生很多启示。它使我们在组织画面时更加主动的安排画面的色彩关系。比如后期印象派就摆脱了光影的束缚而注重色彩间内在的色彩组合美感。另外,在国内外也有很多画家以装饰色彩的内容创出了自己的风格,比如克里姆特的写实与装饰的结合、丁韶光的少数民族图案纹样的重叠组合。本文通过对装饰画的分析,来总结色彩形成美感的必要条件和各因素间的相互影响。色彩配置要形成和谐的色调组合关系,获得感人的色彩美感,就要注意黑白灰色调的均衡,不同色相所占面积的大小安排,不同饱和度的色彩之间的搭配,以及色彩的冷暖调性等等。当上述这些因素以一种特定的方式组合在一起时,就会获得富有节奏与韵律的画面。
[Abstract]:Oil painting is a visual language. Among them, the sketch color theory is based on the principle of scientific light and color. The representational realistic oil painter is also pursuing the inner beauty of color, while showing the three-dimensional space and the texture of the image. The beauty of the painting form contains many aspects, such as: it can be carried out from the angle of composition to the color block of the picture. In order to make the color block the contrast and rhythm of size, density, and shape, the coloring shows the big cold and warm color, the layout and the layout of the black and white ash. As another branch of chromophore, the decoration color studies focus on the coloured collocation problem. The Huang fresco and the Japanese Fushi, the two, give us a lot of inspiration for the students studying oil painting in the collocation of color and the interspersing of the color gamut. It makes us arrange the color relations more actively in the organization of the picture. For example, the late Impressionist has got rid of the shackles of light and shadow and the inner color combination of the color between the color and the color. In addition, At home and abroad, many artists have created their own style with the content of decorative colors, such as the combination of Krim's realism and decoration, and the overlapping of Ding Shaoguang's minority pattern patterns.
Through the analysis of the decorative painting, this paper summarizes the necessary conditions for the aesthetic feeling of color formation and the mutual influence among the factors. The coloring should form a harmonious relationship between color and color, and obtain a moving color aesthetic feeling. It is necessary to pay attention to the balance of black and white tone, the size arrangement of the area of different color phase, and the hue of different saturation. When the above factors are combined in a specific way, they will get rhythmic and rhythmic pictures.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J213

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