唐代长沙窑陶瓷装饰艺术的审美特征
发布时间：2018-09-19 17:01
【摘要】：长沙窑是中国陶瓷釉下彩的发源地。它创造性地将山水、人物、花鸟及诗文书法运用于陶瓷装饰艺术上,以动感、线条、色彩、寓意与整个陶瓷造型完美结合,透出一缕大唐民俗文化的新气息。唐代长沙窑陶瓷被认为是继岳麓书院之后湖湘文化的第二瑰宝,更成为现代艺术创作的灵感源泉。
[Abstract]:Changsha Kiln is the birthplace of Chinese ceramic underglaze. It creatively applies landscape, characters, flowers and birds and poetry to ceramic decorative art. It perfectly combines dynamic feeling, line, color, meaning with the whole ceramic shape, and gives out a new flavor of the folk culture of the Tang Dynasty. Changsha Kiln Ceramics in Tang Dynasty was regarded as the second treasure of Huxiang culture after Yuelu Academy, and it also became the inspiration source of modern art creation.
【作者单位】：
【分类号】：K876.3
[Abstract]:Changsha Kiln is the birthplace of Chinese ceramic underglaze. It creatively applies landscape, characters, flowers and birds and poetry to ceramic decorative art. It perfectly combines dynamic feeling, line, color, meaning with the whole ceramic shape, and gives out a new flavor of the folk culture of the Tang Dynasty. Changsha Kiln Ceramics in Tang Dynasty was regarded as the second treasure of Huxiang culture after Yuelu Academy, and it also became the inspiration source of modern art creation.
【作者单位】：
【分类号】：K876.3
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