反思与发展——从材料的角度谈玻璃装饰艺术

发布时间：2018-10-05 10:56

【摘要】： 玻璃，在公共艺术领域运用历时已久，它综合着材料、技术、科学、艺术等多方面因素，呈现两个方面内涵：精神与物质。艺术发展史从某个角度来说是一部材料技术发展史。每次技术的革新与变革，让艺术面貌同样发生了一场革命。因而，对艺术材料革新和发展趋势进行相关考察和研究，将会获得更为先进的技术和更广阔的思维，并将以此统领玻璃装饰艺术的表现。我国现代玻璃装饰艺术处于发展阶段。所面临的问题是重新客观、深刻地认识传统材料语言的发展规律，调整我们的艺术思维模式。以材料发展脉络为主线，贯穿起传统艺术与现代艺术。从艺术语言本体规律入手，探究传统、借鉴历史，重构艺术表现和审美价值的个人风格和人文精神。艺术语言的选择，对于艺术表现取向是至关重要的。所以走出狭义传统、还原客观传统，是我们应该做的一个重要方面。同样，我们无法回避这个时代，她历经沧桑走到我们面前，这里有丰厚的积淀，同样也需要极具个性艺术表现风格和独特审美价值取向。这些表现风格和价值取向的发展规律值得我们进一步探索与研究。材料与表现在这里既是物质材料创造性运用，同时也是人文精神表现方法体现，，是一个非常重要的艺术整体模式。精神穿透材料而存在，材料因精神才具有生命力、创造力。随着时代与材料、技术、科学日新月异地发展，要以多角度、多层面的眼光来重新审视玻璃艺术，同时应从艺术家良知和对历史与社会责任感出发，汲取历史文化积淀、传承先辈智慧、把握时尚脉搏、运用独特语汇、丰富与发展公共玻璃装饰艺术，寻求一种最能表达时代精神需求的艺术风格与表现形式，创造出既能反应地域文化与民族审美、又具有鲜明时代烙印同时极具个人独特艺术风格的玻璃装饰艺术作品。从材料发展角度再探索、研发玻璃装饰艺术在公共艺术中新的用途和方式，通过高新科技对玻璃物理与化学成分改变以获得不同特性与质地的玻璃，凭借开放、活跃的设计思维与富有创意的艺术形式来开启通向玻璃装饰艺术王国的神秘大门。
[Abstract]:Glass, which has been used in the field of public art for a long time, combines material, technology, science, art and other factors, and presents two connotations: spirit and substance. The history of art development is a history of material technology from a certain point of view. Every technological innovation and change, so that the face of the art also took place a revolution. Therefore, the related investigation and research on the innovation and development trend of artistic materials will obtain more advanced technology and broader thinking, and will guide the performance of glass decorative art. China's modern glass decoration art is in the development stage. The problem is to understand the development law of traditional material language and adjust our artistic thinking mode. With the material development thread as the main line, runs through the traditional art and the modern art. Starting with the Noumenon law of artistic language, this paper probes into tradition, draws lessons from history, and reconstructs the personal style and humanistic spirit of artistic expression and aesthetic value. The choice of artistic language is very important for artistic expression orientation. So go out of narrow sense tradition, restore objective tradition, it is an important aspect that we should do. Similarly, we can not avoid this era, she went through the vicissitudes of life before us, there is a rich accumulation here, also need a very personal artistic expression style and unique aesthetic value orientation. These expression style and value orientation development rule is worth our further exploration and research. Material and expression here are not only the creative use of material, but also the embodiment of humanistic spirit, which is a very important artistic whole model. The spirit penetrates the material but exists, the material because of the spirit has the vitality, the creativity. With the rapid development of times and materials, technology and science, we should re-examine glass art from a multi-angle and multi-level perspective. At the same time, we should draw on the accumulation of history and culture from the artist's conscience and sense of responsibility for history and society. Passing on the wisdom of the older generation, grasping the pulse of fashion, using the unique vocabulary, enriching and developing the public glass decoration art, seeking for an artistic style and form of expression that can best express the spiritual needs of the times, and creating an art style that can reflect regional culture and national aesthetics. Also has the distinct epoch brand at the same time extremely has the individual unique artistic style glass decoration art work. From the point of view of material development, to develop new uses and ways of glass decorative art in public art, to change the physical and chemical composition of glass through high and new technology to obtain glass with different properties and textures, and by means of opening up, Active design thinking and creative art form to open the mysterious door to the glass decorative art kingdom.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J527

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