秦汉时期的工艺美术对我国当代装饰艺术的影响

发布时间：2018-10-08 15:55

【摘要】：在现代化与快节奏的都市生存环境中，竞争的压力愈演愈烈，从而造就了人与人之间的感情冷漠。在冷硬钢铁与混凝土结合的时尚都市中，对清新大自然的憧憬，对我们祖先遗留给我们的传统文化的渴望与向往逐步体现出来。极富民族特色的传统文化在疯狂地席卷着全球的流行趋势。当我们悠然的漫步在我国任意一个承载着悠久历史的古城中时，会不经意地意识到富有特色的传统文化无处不在。然而，现代时尚的大都市在渐渐的吞噬着祖先为我们遗留下的文化古城。秦汉时期在中国设计史上有着象征意义的地位，，是工艺美术设计发展的新盛世，它全面概括性的艺术设计语言和创作经验给当代中国留下了浓墨重彩的一笔。秦汉时期具有本土特色的艺术风格是在大量汲取先辈丰富经验与逐步完善的民族传统工艺美术的结合下产生的。秦汉时期的瓦当、画像砖、漆器以及许多实用工艺品全部形成了一套从独特的创意到精湛技艺的工艺理念，是我们也可以说这是中国传统文化的里程碑。装饰艺术是一直人类追求美与创造美过程中不可或缺的关键环节，是人类在各个时期思想情感与审美意识的写照。如何将秦汉时期工艺美术中的传统元素应用于当代装饰设计中去，已成为近年来艺术界普遍关注的一个重要的课题。秦汉时期的瓦当、画像砖、漆器艺术中蕴含着多姿多彩的艺术魅力与丰厚的文化底蕴，依照大量的文献资料，运用全方面的知识剖析瓦当、画像砖、漆器的装饰设计元素对当代装饰艺术设计产生的影响。本文分为引言、正文、结语三部分内容，将秦汉时期的瓦当、画像砖、漆器、从起源——工艺——元素——当代装饰设计的运用，系统的分析并研究。第一章引言部分通过分析秦汉时期工艺美术的创意理念和相关问题，综述了当代艺术家对这一论题的研究现状，以及本文的研究内容及思路、研究方法和研究意义。第二章通过对秦汉时期瓦当、画像砖、漆器的释义、种类、历史现状、工艺及成就深刻的了解秦汉文化的厚重和博大精深。第三章结合装饰手段的图案设计，阐述了秦汉时期装饰艺术贴近自然生活的装饰特点，总结了秦汉时期装饰语言源于自然的原始美、自由的抽象美以及夸张的变形美。第四章通过瓦当、画像砖、漆器代表样式的研究，概括出了瓦当传神的艺术神韵、画像砖丰富的审美意蕴及漆器装饰纹样和谐的文化内涵。第五章结合瓦当、画像砖、漆器设计元素特点指导了当代装饰艺术的创新发展。结语部分对新世纪以后当代装饰艺术未来发展进行了一种憧憬。
[Abstract]:In the modern and fast-paced city living environment, the pressure of competition is becoming more and more intense, thus creating the emotional apathy between people. In the fashionable city where cold and hard steel and concrete are combined, the longing for fresh nature and the desire and yearning for the traditional culture left by our ancestors are gradually reflected. The traditional culture, which is rich in national characteristics, is sweeping the global popular trend crazily. When we stroll leisurely in any ancient city with a long history in our country, we will inadvertently realize that the characteristic traditional culture is everywhere. However, the modern fashion metropolis is gradually devouring the cultural city left behind by our ancestors. Qin and Han dynasties had a symbolic status in the history of Chinese design, which was a new prosperous time for the development of arts and crafts design. The artistic style with native characteristics in Qin and Han dynasties came into being under the combination of the rich experience of the forebears and the gradual perfection of the traditional arts and crafts of the nation. During the Qin and Han dynasties, Wadang, portrait bricks, lacquer ware and many practical handicrafts all formed a set of craft ideas from unique creativity to exquisite craftsmanship, which can be said to be a milestone of Chinese traditional culture. Decorative art is an indispensable key link in the process of pursuing beauty and creating beauty. It is also the portrayal of human thought, emotion and aesthetic consciousness in every period. How to apply the traditional elements of the arts and crafts in the Qin and Han dynasties to the contemporary decorative design has become an important topic that the art circles have paid close attention to in recent years. In the period of Qin and Han Dynasty, Wadang, portrait brick and lacquer ware art contain colorful artistic charm and rich cultural background. According to a large number of documents and materials, the paper analyzes Wadang and portrait brick by using all aspects of knowledge. The influence of decorative design elements of lacquer ware on contemporary decorative art design. This paper is divided into three parts: introduction, text and conclusion. The application of Wadang, portrait brick and lacquer ware in Qin and Han dynasties is systematically analyzed and studied from the origin-craft-element-contemporary decorative design. In the first chapter, by analyzing the creative ideas and related problems of the arts and crafts in the Qin and Han dynasties, the author summarizes the current situation of the research on this topic by the contemporary artists, as well as the research contents and ideas, the research methods and the significance of the research. The second chapter through the Qin and Han Dynasty Wadang, portrait brick, lacquer ware interpretation, types, historical status, technology and achievements of the deep understanding of Qin and Han culture and profound. The third chapter combines the pattern design of decoration means, elaborated the decoration art of Qin and Han dynasties period decoration art close to the natural life decoration characteristic, summarized the Qin and Han Dynasty decoration language from the natural primitive beauty, the free abstract beauty and the exaggeration transformation beauty. The fourth chapter generalizes the artistic charm of Wadang, the rich aesthetic implication of portrait brick and the harmonious cultural connotation of decorative patterns of lacquer ware through the research of Wadang, portrait brick and lacquer ware representative style. The fifth chapter combines the characteristics of Wadang, portrait brick and lacquer design elements to guide the innovation and development of contemporary decorative art. The conclusion part gives a vision for the future development of contemporary decorative art in the new century.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J525;J509.2

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