从“紫檀有束腰西洋装饰扶手椅”看清代中期家具的中西融合形态
发布时间：2018-10-30 18:23
【摘要】： 明末清初之际，随着欧洲传教士进入中国，当时西方流行的艺术风格也随之带入，传统家具亦开始受其影响。由于许多当时欧洲艺术最先由广州传入中国，使该地受外来文化影响很深，也给家具艺术增添了色彩，因此清代广式家具形成了与明式家具、清苏式、京式家具不同的艺术风格：即其兼有明式和西洋家具的因素，具备了中西融合特色。例如乾隆时期“紫檀有束腰西洋装饰扶手椅”就是典型的例证。但是现在的中国家具史研究，却把家具的中西融合时期划分在或1840-1949的近现代，，或1911之后。这显然忽视了清代中期家具的中西融合形态的存在。本文以“紫檀有束腰西洋装饰扶手椅”为个案，探讨清代中期家具的中西融合形态的问题。
[Abstract]:At the end of the Ming Dynasty and the beginning of Qing Dynasty, with the European missionaries entering China, the popular western artistic style was brought in, and the traditional furniture began to be influenced by it. Because many European arts were first introduced into China from Guangzhou at that time, the region was deeply influenced by foreign culture and added color to furniture art. Therefore, Guang-style furniture in the Qing Dynasty was formed with Ming style furniture and Qing Soviet style furniture. Beijing-style furniture has different artistic styles, that is, the combination of Ming style and western furniture. For example, Qianlong period, "Rosewood has a waist Western decorative armchair" is a typical example. However, the present study of the history of Chinese furniture divides the period of Chinese and Western integration into the modern period of 1840-1949 or after 1911. This obviously ignored the existence of the Chinese and western combination of furniture in the middle period of Qing Dynasty. Taking the Western decorative armchair of Rosewood with girded waist as an example, this paper discusses the integration of Chinese and Western furniture in the middle period of Qing Dynasty.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：K876.6
本文编号：2300802
[Abstract]:At the end of the Ming Dynasty and the beginning of Qing Dynasty, with the European missionaries entering China, the popular western artistic style was brought in, and the traditional furniture began to be influenced by it. Because many European arts were first introduced into China from Guangzhou at that time, the region was deeply influenced by foreign culture and added color to furniture art. Therefore, Guang-style furniture in the Qing Dynasty was formed with Ming style furniture and Qing Soviet style furniture. Beijing-style furniture has different artistic styles, that is, the combination of Ming style and western furniture. For example, Qianlong period, "Rosewood has a waist Western decorative armchair" is a typical example. However, the present study of the history of Chinese furniture divides the period of Chinese and Western integration into the modern period of 1840-1949 or after 1911. This obviously ignored the existence of the Chinese and western combination of furniture in the middle period of Qing Dynasty. Taking the Western decorative armchair of Rosewood with girded waist as an example, this paper discusses the integration of Chinese and Western furniture in the middle period of Qing Dynasty.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：K876.6
【参考文献】
相关期刊论文 前3条
1 张彬渊;陈于书;;《五山十刹图》径山方丈椅的研究[J];家具与室内装饰;2006年11期
2 李龙生;中国古代设计文化的美学意蕴[J];装饰;2002年01期
3 吴明娣;清代工艺美术在欧洲的传播及影响[J];装饰;2002年01期
本文编号：2300802
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