传统砖雕的装饰艺术及其传承发展研究
发布时间：2018-11-01 12:50
【摘要】：中国传统砖雕艺术是中国古建筑上一种重要的装饰艺术,由精湛的技艺、深厚的文化内涵和独特的艺术手法融合而成,既清新质朴而又巧夺天工,并历经了千年的发展演变,以其独特的艺术魅力演绎着人类文化的进程。但是,随着时代的快速发展和人们生活方式的转变,很多传统艺术已不符合时代的审美需求,现代建筑也不需要过多的装饰点缀,砖雕也就失去了可依附的基础,以及其它诸多原因导致砖雕曾经的辉煌也已成为历史。基于砖雕的现状,笔者认为扭转当前砖雕的生存和发展现状已刻不容缓,并初步探索了在当前社会环境下砖雕的传承和发展策略问题。 本文的第一章是绪论,本部分主要概述了本课题的来源和依据、研究方法、研究意义以及研究内容。文章第二章主要从传统砖雕在古建筑装饰中的作用、地位以及传统砖雕纹饰的吉祥寓意承载着人们对美好生活的追求和向往这两个方面阐述传统砖雕艺术的历史价值。文章第三章从砖雕的起源、制作材料、工艺以及各时期的风格特征等方面阐述了砖雕在各时期的发展演变,同时在此章节中也暗含了砖雕经历了“从先秦至汉代以来形成的祭祀礼仪功能——到魏晋南北朝至唐代佛教兴盛后砖雕在庙宇中的功能——再到明代则完全融入民间,被广大民间匠人和艺人接受、创造、发展到极致——到近现代砖雕逐渐失去了它所依附的传统建筑而逐渐走向衰落”的发展轨迹,以此引出第四章我国砖雕艺术的发展现状及传承和发展砖雕艺术的现实意义。在第五章中针对砖雕不容乐观的生存现状,笔者提出了一些应对措施以探索其今后的可持续发展道路。
[Abstract]:Chinese traditional brick carving art is an important decorative art in ancient Chinese architecture. It is composed of exquisite skills, profound cultural connotations and unique artistic methods. It is both fresh and simple, and has undergone a thousand years of development and evolution. With its unique artistic charm, it deduces the process of human culture. However, with the rapid development of the times and the change of people's way of life, many traditional arts have not met the aesthetic needs of the times, and modern buildings do not need too much decoration and embellishment, so the brick carvings have lost the foundation to be attached to. And many other reasons for brick carving once brilliant has become a history. Based on the present situation of brick carving, the author thinks that it is urgent to reverse the current status of survival and development of brick carving, and preliminarily explores the inheritance and development strategy of brick carving in the current social environment. The first chapter of this paper is the introduction, this part mainly summarizes the source and basis of this topic, research methods, research significance and research content. The second chapter mainly expounds the historical value of the traditional brick carving art from the function and position of the traditional brick carving in the ancient architectural decoration and the auspicious implication of the traditional brick carving decoration carrying people's pursuit of the beautiful life and yearning for these two aspects. The third chapter expounds the development and evolution of brick carving in each period from the origin, manufacture material, craft and style characteristics of each period. At the same time, in this chapter, it is implied that brick carvings have experienced "the function of sacrificial rites formed from the pre-Qin to the Han dynasties, from the Wei, Jin, Southern and Northern dynasties to the Tang Dynasty, when Buddhism flourished in the temples, and then to the Ming Dynasty, when they were fully integrated into the folk." Accepted, created, and developed to the extreme by the masses of folk craftsmen and entertainers-until the modern brick carving gradually lost its attachment to the traditional architecture and gradually declined "the development track. The fourth chapter leads to the present situation of the development of brick carving art in China and the realistic significance of inheriting and developing brick carving art. In the fifth chapter, in view of the existing situation of brick carving, the author puts forward some countermeasures in order to explore the way of sustainable development in the future.
【学位授予单位】：湖北工业大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J525
本文编号：2303978
[Abstract]:Chinese traditional brick carving art is an important decorative art in ancient Chinese architecture. It is composed of exquisite skills, profound cultural connotations and unique artistic methods. It is both fresh and simple, and has undergone a thousand years of development and evolution. With its unique artistic charm, it deduces the process of human culture. However, with the rapid development of the times and the change of people's way of life, many traditional arts have not met the aesthetic needs of the times, and modern buildings do not need too much decoration and embellishment, so the brick carvings have lost the foundation to be attached to. And many other reasons for brick carving once brilliant has become a history. Based on the present situation of brick carving, the author thinks that it is urgent to reverse the current status of survival and development of brick carving, and preliminarily explores the inheritance and development strategy of brick carving in the current social environment. The first chapter of this paper is the introduction, this part mainly summarizes the source and basis of this topic, research methods, research significance and research content. The second chapter mainly expounds the historical value of the traditional brick carving art from the function and position of the traditional brick carving in the ancient architectural decoration and the auspicious implication of the traditional brick carving decoration carrying people's pursuit of the beautiful life and yearning for these two aspects. The third chapter expounds the development and evolution of brick carving in each period from the origin, manufacture material, craft and style characteristics of each period. At the same time, in this chapter, it is implied that brick carvings have experienced "the function of sacrificial rites formed from the pre-Qin to the Han dynasties, from the Wei, Jin, Southern and Northern dynasties to the Tang Dynasty, when Buddhism flourished in the temples, and then to the Ming Dynasty, when they were fully integrated into the folk." Accepted, created, and developed to the extreme by the masses of folk craftsmen and entertainers-until the modern brick carving gradually lost its attachment to the traditional architecture and gradually declined "the development track. The fourth chapter leads to the present situation of the development of brick carving art in China and the realistic significance of inheriting and developing brick carving art. In the fifth chapter, in view of the existing situation of brick carving, the author puts forward some countermeasures in order to explore the way of sustainable development in the future.
【学位授予单位】：湖北工业大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J525
【参考文献】
相关期刊论文 前1条
1 唐孝祥;试析中国传统民居建筑的文化精神[J];城市建筑;2004年02期
，本文编号：2303978
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