贵州苗族装饰符号之鸟纹研究
发布时间：2018-12-25 20:57
【摘要】：苗族是有5000年历史的一个少数民族,由于历史上氏族的兼并与融合造成支系多,图腾种类也多的特点。这些都是与巫术、神话、传说有着不可分割的奇妙关系。不同的氏族或部落有不同的族徽标志。本文以分析贵州苗族众多装饰符号中的鸟纹为例。依次从图腾、巫术、神话、诗歌中来追溯贵州鸟纹的起源。同时,苗族服饰又可以说是观赏的艺术,装饰手法名目繁多,使用材质形式多样,文化价值巨大。各种刺绣、蜡染、配饰、银饰的图案都可以说是审美的灵魂,这些对它们来讲都可以说是表现鸟纹的一种载体。 在它们身上,我们可以看出,鸟纹那或生动或怪异,或抽象或具象的生动图案。同时苗族女性刺绣、蜡染的精湛工艺,服饰与银饰的多样搭配及内涵的丰富都令人叹为观止。鸟纹的造型变化无穷,颜色丰富多彩,具有丰富变化的美学风格。这些图案在很大程度上我们只能读懂它们的形式,而无法理解它内容的怪诞,在形式上又表现为和谐、安静与隐晦的美。因此,鸟纹图案的意义是巫文化之中的符号性象征,是苗族思想精神和内心灵魂具有神秘性且权威的核心力量。
[Abstract]:The Miao nationality is a minority nationality with a history of 5000 years. Due to the annexation and fusion of the clan in history, there are many branches and many totem types. These are magical and inseparable with witchcraft, myths, and legends. Different clans or tribes have different emblems. In this paper, the analysis of the Miao nationality in Guizhou many decorative symbols as an example of bird patterns. From totem, witchcraft, mythology, poetry to trace the origin of Guizhou bird lines. At the same time, Miao dress can be said to be the art of ornamental. A variety of embroidery, batik, accessories, silver patterns can be said to be aesthetic soul, these can be said to be a carrier of bird patterns. In them, we can see that the birds are vivid or strange, or abstract or figurative vivid patterns. At the same time Miao women embroidered, batik exquisite craftsmanship, clothing and silver ornaments of the various matching and rich connotations are amazing. Bird patterns of the shape of infinite variety, colorful colors, with a rich variety of aesthetic style. To a large extent, these patterns can only be understood in their forms, but not in the grotesque of their contents. In form, they are characterized by harmony, quiet and obscure beauty. Therefore, the meaning of bird pattern is the symbolic symbol in the witch culture, and the core power of the Miao nationality's thought, spirit and inner soul with mystery and authority.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J522
本文编号：2391636
[Abstract]:The Miao nationality is a minority nationality with a history of 5000 years. Due to the annexation and fusion of the clan in history, there are many branches and many totem types. These are magical and inseparable with witchcraft, myths, and legends. Different clans or tribes have different emblems. In this paper, the analysis of the Miao nationality in Guizhou many decorative symbols as an example of bird patterns. From totem, witchcraft, mythology, poetry to trace the origin of Guizhou bird lines. At the same time, Miao dress can be said to be the art of ornamental. A variety of embroidery, batik, accessories, silver patterns can be said to be aesthetic soul, these can be said to be a carrier of bird patterns. In them, we can see that the birds are vivid or strange, or abstract or figurative vivid patterns. At the same time Miao women embroidered, batik exquisite craftsmanship, clothing and silver ornaments of the various matching and rich connotations are amazing. Bird patterns of the shape of infinite variety, colorful colors, with a rich variety of aesthetic style. To a large extent, these patterns can only be understood in their forms, but not in the grotesque of their contents. In form, they are characterized by harmony, quiet and obscure beauty. Therefore, the meaning of bird pattern is the symbolic symbol in the witch culture, and the core power of the Miao nationality's thought, spirit and inner soul with mystery and authority.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J522
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