模件化与整体特质——两种当代欧洲中国书法史研究的考察

发布时间：2018-01-20 13:14

本文关键词： 欧洲书法史研究雷德侯毕罗　出处：《江苏社会科学》2016年04期 　论文类型：期刊论文

【摘要】：对欧洲学者而言,由于文字源流和字形字义的多样性,研究中国书法比青铜器、瓷器、绘画都更为困难。但因为有着较为悠久的汉学传统和丰富的艺术史研究经验,在欧洲,又不乏专注的书法研究者在此领域耕耘和努力,雷德侯(Lothar Ledderose)和毕罗(Pietro De Laurentis)就是其中的两位,他们代表了欧洲研究中国书法的两代人。通过考察,本文认为,前者的研究基于一个大的艺术史框架,关注书法的社会学等方面的意义;而后者基于汉学传统,关注文献和书法本体论,更似以中国之眼理解书法中的奥妙。他们分别有着各自对中国书法的认识,透彻理解他们研究的内容和方法,对中国本土书法研究,有一定的借鉴意义。
[Abstract]:For European scholars, because of the diversity of the origin and meaning of characters, the study of Chinese calligraphy is more than bronze ware and porcelain. Painting is more difficult, but because of the long tradition of Sinology and rich art history research experience, in Europe, there is no lack of dedicated calligraphy researchers in this field work and efforts. Lothar Ledderoseand Pietro de Laurentisare two of them. They represent two generations of people in Europe who have studied Chinese calligraphy. Through the investigation, this paper holds that the former's research is based on a large framework of art history and pays close attention to the sociological significance of calligraphy. The latter is based on the Sinology tradition, paying attention to literature and calligraphy ontology, more likely to understand the mystery of calligraphy with the Chinese eye. They have their own understanding of Chinese calligraphy, thorough understanding of their research content and methods. To the Chinese native calligraphy research, has the certain reference significance.
【作者单位】：南京师范大学美术学院;
【基金】：江苏省社科基金重大项目“江苏碑刻文献整理与研究”(15ZD007);江苏省社科基金一般项目“江苏明清书画市场与社会变迁研究”(15YSB004) 江苏高校哲学社会科学重点项目“中国艺术与中国精神研究”(2016ZDIXM028)阶段性成果
【分类号】：J292.1
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