梁鹄书法作品及其影响

发布时间：2018-01-30 18:51

本文关键词： 梁鹄书法影响　出处：《宁夏社会科学》2012年06期 　论文类型：期刊论文

【摘要】：梁鹄是汉魏时期极其重要的一位书法家,其书法深得帝王赏识。梁鹄书法作品传世主要有四种,即《大飨碑》、《上尊号奏》、《受禅表》和《孔羡碑》,且存在一定争议。本文对宋人所述梁鹄书法作品及其影响作了更进一步研究,虽然宋代金石学著作所述梁鹄作品多属"传说",然而其自有一定的合理性。从立碑时间以及梁鹄的身份来判断,宋人所传四碑为梁鹄所书是完全可以成立的,同时宋人对梁鹄所书碑刻的收集、整理和考辨,寄托着士大夫深切的人文关怀和理想追求。梁鹄书法成为后世学习的典范,在中国书法史上产生了深远的影响。
[Abstract]:Liang Hu was an extremely important calligrapher in the Han and Wei dynasties, whose calligraphy was deeply appreciated by emperors. There were four kinds of calligraphy works handed down in the world, that is, "Dazhou Stele", "the Superior trumpet", "receiving the Zen form" and "the Monument of Confucius envy". And there are some controversies. This paper further studies the calligraphy works of Liang Hu and its influence, although most of Liang Hu's works in the gold and stone works of the Song Dynasty belong to "legends". However, it has its own rationality. Judging from the time of setting up the monument and the identity of Liang Hu, the four tablets handed down by the Song Dynasty can be completely established for the books of Liang Hu, and at the same time, the collection, arrangement and examination of the inscription inscriptions on the books of Liang Hu are collected, sorted and examined by the Song people. Relying on the profound humanistic care and ideal pursuit of literati and officials, Liang Hu calligraphy became a model of learning for later generations and had a profound influence in the history of Chinese calligraphy.
【作者单位】：西安交通大学人文学院;
【基金】：2010年宁夏高等学校科研资助课题阶段性成果之一
【分类号】：J292.1
【正文快照】： 梁鹊是汉末魏初极其重要的一位书法家。他的书法之所以名重朝野，彪炳史册，与汉魏晋时期三位显赫人物的推崇有着密不可分的联系。其书法“汉灵帝重之.曹孟德爱之，，王逸少学之”川g。梁鹊书法适逢其时，从一开始就成为最高统治者的欣赏佳品。关于梁鹊的籍贯、传世书法作品及

【共引文献】