重图藏殿试卷的书法风格及其渊源

发布时间：2018-02-14 23:40

  本文关键词： 规范 馆阁体 殿试卷 书风 楷书　出处：《中国书法》2017年18期 　论文类型：期刊论文

【摘要】：从隋唐迄于明朝,科举考试书写传统基本固化。台阁体用笔、结体、章法形式几乎趋于"程式化"。这种风气在清朝馆阁体达到顶峰。清人馆阁体书法的来源涵盖了几乎可能有的取法途径:皇帝与朝臣之书,欧、颜、柳、苏等名家楷书,同时代书家馆阁体,前科状元书法等都成为取法对象。来自持敬之心的审慎书写是殿试卷风格形成的主要心理基础,规范严谨则为其风格特征。
[Abstract]:From the Sui and Tang dynasties to the Ming Dynasty, the imperial examination writing tradition was basically solidified. The form of the rules almost tended to be "stylized". This kind of atmosphere reached its peak in the Qing Dynasty. The source of the calligraphy of the style of the pavilions of the Qing Dynasty covered almost every possible way: the book of emperors and courtiers, the classics of European, Yan, Liu, Su and other famous schools. Contemporary calligrapher pavilions and priors calligraphy have all become objects of learning. Prudent writing from the heart of respect is the main psychological basis for the formation of the style of the hall test paper, while the standard and rigour is the characteristic of the style.
【作者单位】： 西南大学文学院中国书法研究所;
【基金】：二0一五年度国家社会科学基金项目“儒学核心价值观视野中的古代书论整理与研究”(批准号:15BZS001)成果 二0一七年度中央高校基本业务费创新团队项目“书法及其跨学科研究”(批准号:SWU1709109)成果
【分类号】：J292.1
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本文编号：1511898