邓石如草书《海为天是联》艺术特色

发布时间：2018-02-28 05:33

本文关键词： 邓石如艺术特色广艺舟双楫书法大家计白当黑审美境界艺术创作化腐朽为神奇错衡臣术 　出处：《中国书法》2017年15期 　论文类型：期刊论文

【摘要】：正作为震烁古今的书法大家,邓石如的艺术创作被誉为"四体书皆国朝第一",其中,草书成就康有为早在百年前于《广艺舟双楫》中称赞:"潇洒遒劲,更觉气满神光、跌宕奇肆,隽永耐味,笔气流丽。"~[1]邓石如的草书在用笔上一洗旧习,融入碑法,引入古人禁忌的"铺毫"与"绞锋"笔法,化腐朽为神奇,如万岁枯藤,似崩浪雷奔,创造了一种新的审美境界;章法上他提出"疏处可以走马,密处不使透风"的计白当黑理论并付诸实践,尤其是他草书的楹联创作,在位置经营上打破了传统的对称模式,造型奇险,取势夸张,为古之未有。
[Abstract]:As an ancient and modern calligrapher, Deng Shiru's artistic creation was praised as "the first of the four styles of calligraphy in the state." among them, cursive script achievement Kang Youwei praised it as early as 100 years ago in "Guangyi Shuangji": "unrestrained and powerful, feeling the spirit full of spirit." "[1] Deng Shiru's cursive script is used to wash the old habits on the pen, to incorporate the tablet method, and to introduce the ancient taboo of" spreading the mou "and the" Feng strangled "strokes, turning decadent into magic, such as long live withered vines, like rolling waves and thunder. He proposed and put into practice the theory that "he can walk in a few places without passing through the air," and put it into practice, especially in the creation of couplets of his cursive script, which broke the traditional symmetrical mode in the management of the position. The modelling strange danger, takes the potential to exaggerate, for the ancient times has not been.
【作者单位】：安徽省书画院;
【分类号】：J292.1

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