略述书法品评观念的嬗变

发布时间：2018-02-28 08:12

本文关键词： 书法品评伦理观自然观形式批评　出处：《南京艺术学院学报(美术与设计)》2017年02期 　论文类型：期刊论文

【摘要】：随着书法成为自觉的艺术,东汉后期的书法品评也在社会伦理观念以及传统自然观念的基础上逐渐成熟,经过魏晋南北朝的逐步深化和完善,到了唐代出现了体系完备的书法理论鸿篇巨制,从宏观到精微无所不备。宋代以后虽然没有了之前的宏阔,但复古思潮不断涌动,并且时有精论。清代书法品评受到西方美术理论影响,在元、明书法式微之后显得尤为突出,逐渐发展并影响到现当代的书法形式观念。本文以此线索对历代书法品评观念的发展变化做了具体梳理,以期对书法品评史的研究有一定帮助。
[Abstract]:As calligraphy became a conscious art, calligraphy evaluation in the late Eastern Han Dynasty gradually matured on the basis of social ethics and traditional natural concepts, and gradually deepened and perfected through the Wei, Jin, Southern and Northern dynasties. By the time the Tang Dynasty saw the emergence of a monumental system of well-established calligraphy theories, from macroscopic to subtle, there was no such thing as before, but the trend of thought of reverting to the ancient times continued to surge after the Song Dynasty. And then there is the theory of refinement. The criticism of calligraphy in the Qing Dynasty was influenced by western art theories, especially after the decline of calligraphy in the Yuan and Ming dynasties. With this clue, this paper makes a concrete combing of the development and change of calligraphy evaluation concept in the past dynasties, in order to be helpful to the study of the history of calligraphy evaluation.
【作者单位】：四川大学艺术学院;
【分类号】：J292.1

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