八大山人书法的艺术格调与分期问题

发布时间：2018-03-02 00:22

本文关键词： 八大山人艺术格调中国艺术史行草书分期问题优游不迫沉着痛快艺术形式篆籀题画诗 　出处：《中国书法》2012年09期 　论文类型：期刊论文

【摘要】：正八大山人(一六二六—一七○五)是明末清初的伟大艺术家。他一生多难,既受国破家亡之痛,又患颠、哑之疾,贫病交加。他二十三岁时出家,五十六岁时还俗,出入僧、道,精神世界极为复杂。他的绘画与书法高逸绝尘,如同天籁,是中国艺术史上的伟大典范。就八大山人的书法而言,有三种格调最为引人注目,那便是"恬淡"、"空寂"、"简约"。在晚年,八大山人将这三种格调融为一炉,遂得大成。通过对八大山人书作进行历时的考察,笔者发现,这三种格调是在不同的阶段被提炼、发扬的。由此,我们可以对八大
[Abstract]:Zheng Ba Da Shan Man (1626-1705) was a great artist in the late Ming and early Qing dynasties. He was so difficult in his life that he suffered from the pain of breaking down his family and suffering from subversion, mute disease, poverty and illness. He became a monk at the age of 23, and at the age of 56 he was a vulgar monk. Tao, the spiritual world is extremely complex. His paintings and calligraphy, like sounds of nature, are a great example in the history of Chinese art. As far as the calligraphy of the Bada Mountain people is concerned, three styles are most striking. That is "quiet", "emptiness", "simplicity". In his later years, the eight great mountain people fused the three styles into a furnace and got great success. Through a diachronic investigation of the works of the eight great mountain people, the author found that the three styles were refined at different stages. Thus, we can contribute to the work of the eighth National Congress of the Communist Party of China.
【作者单位】：北京师范大学艺术与传媒学院;
【分类号】：J292.1

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