北朝造像题记书法的图像学研究

发布时间：2018-03-04 14:04

本文选题：佛教造像　切入点：书写者　出处：《中国书法》2015年15期 　论文类型：期刊论文

【摘要】：正佛教造像源自印度犍陀罗,后来传向东南亚各国。中国的佛教造像多种多样,如铜铸、金造的、石雕、凿壁等。北魏是佛教盛行的时期,造像活动特别繁荣,从贵族到平民,都捐资进行佛像雕造。在佛像的两侧、底座等处进行题刻,记录造像的原因、时间,记下发愿之辞,这些文字被称为造像记。造像记的书法水准不一,且多数并不留下书写者名字,书写者大多也并非名家圣手。相对于佛教造像而言,造像记的作用并不十分重要。因此,清代以前,并没有多少学者关注造像记,直到乾嘉学派重视搜碑访碣、碑学兴盛,造像记以及其书法风格才逐渐受到人们的重视,如清代王昶《金石萃编》、陆增祥《八琼室金石补正》就记录了许多北朝的佛教造像书法。王昶谈道:"按造像立碑,始于北魏,迄于唐之中叶。大抵所造者释迎、弥陀、弥勒及观音、势至为多。或刻山崖,或刻碑石,或造石窟,或造佛龛,或造浮图。其初不过刻石,其
[Abstract]:The Buddhist statues originated in Gandhara, India, and were later spread to various countries in Southeast Asia. There are a variety of Buddhist statues in China, such as bronze, gold, stone carvings, wall chisels, etc. The Northern Wei Dynasty was a period when Buddhism was prevailing, and the statue activities were particularly prosperous, ranging from aristocrats to civilians. On both sides of the Buddha's statue, the base and other places are engraved to record the reason, time, and vow of the statue, which are called statues. The calligraphy standards of the statues vary. And most of them did not leave the name of the writer, and most of the writers were not the holy hands of the famous artists. Compared to the Buddhist statues, the role of the idols was not very important. Therefore, before the Qing Dynasty, few scholars paid attention to the idols. It was not until the Qianjia School attached importance to the search for tablets, the study of tablets flourished, and statues and their calligraphy style were gradually taken seriously by people. For example, Wang Chang of the Qing Dynasty, Jin Shi Dian, Lu Zengxiang, Bazhong Room Jinshi Correction, recorded many Buddhist statues and calligraphy of the Northern Dynasty. Wang Chang said, "the monument was erected according to the statue, which began in the Northern Wei Dynasty and ended in the middle of the Tang Dynasty. Maitreya and Quan yin have a great deal of potential. They are engraved on cliffs, stone tablets, grottoes, shrines, or floats.
【作者单位】：天津美术学院工艺美术系;
【分类号】：J292.1

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