晚明金石碑刻书学意识的形成——从倪元璐书风之转变说开去

发布时间：2018-03-07 23:34

本文选题：倪元璐　切入点：金石碑刻　出处：《江西社会科学》2013年03期 　论文类型：期刊论文

【摘要】：倪元璐作为晚明表现主义书风的重要代表性书家,其书风形成原因是多方面的。长期以来,人们一直认为:晚明特殊的时代背景,包括政治、经济及中叶以来的文艺思潮,尤其是心学与童心说对他有着非常重要的影响,抑或说"忠义之气,临于笔墨",抑或说倪元璐师承颜鲁公与苏轼书法,等等。从社会学、艺术史学的角度以及金石碑刻书学的审美特征考察,笔者认为晚明时期人们"尚奇"、"追新慕异"的审美风尚及二王传统帖学以外的金石碑刻书学意识才是影响倪元璐书风形成的重要因素。由此,笔者认为,倪元璐书风的形成,其实质就是帖学与金石碑刻书学的结合,是以帖为基、以碑为辅,可把倪元璐书风看做是最早向碑学习、帖中含碑的范例。
[Abstract]:As an important representative of the expressionist style of calligraphy in the late Ming Dynasty, Ni Yuanlu's style of calligraphy was formed for many reasons. For a long time, people have always believed that the special background of the late Ming Dynasty, including the political, economic, and literary and artistic trends since the middle of the late Ming Dynasty, In particular, the study of the mind and the theory of Tong Xin have a very important influence on him, or "loyalty and righteousness, coming to the pen and ink," or Ni Yuanlu, who inherited the calligraphy of Yan Lugong and Su Shi, and so on. From the perspective of sociology, The angle of art historiography and the aesthetic characteristics of the calligraphy of inscriptions on stone inscriptions, The author thinks that in the late Ming Dynasty, the aesthetic style of people "Shangqi" and "chasing the new and admiring the different" and the consciousness of calligraphy of the inscription of the stone inscriptions other than the traditional study of the two kings are the important factors that influence the formation of Ni Yuanlu's style of calligraphy. Therefore, the author thinks that the formation of Ni Yuanlu's style of calligraphy is the most important factor. Its essence is the combination of the calligraphy of inscription of gold and stone inscriptions, which is based on and supplemented by tablets. Ni Yuanlu can be regarded as the earliest example of learning from the tablet and containing the tablet in the placard.
【作者单位】：四川大学书法研究所;四川大学艺术学院;
【基金】：四川大学中央高校基本科研业务费研究专项(哲学社会科学)项目“学科前沿与交叉创新研究”
【分类号】：J292.1

【共引文献】