书卷气与金石气并重

发布时间：2018-03-08 04:35

本文选题：雁塔圣教序　切入点：巧拙　出处：《中国书法》2017年07期 　论文类型：期刊论文

【摘要】：正全国第二届楷书作品展基本上反映了当下楷书创作的现状,许多作品表现出植根传统、弱化形式制作、注重自然书写的良好发展态势,但一些作品也暴露出目前楷书创作的缺陷,比如风格的趋同性倾向。此次入展的作品,小楷、中楷作品占绝大多数,大楷作品绝少。小字作品的技法特征集中表现为用笔细腻、笔画瘦硬,但还达不到铁画银钩的审美高度;结字则求巧求精,小趣味多,大气象者少,朴拙一路或巧拙互现的作品较少。从取法来看,小字作品多集中于北朝细腻一路的墓志、褚遂良《雁塔圣教序》、《阴符
[Abstract]:The second National regular Book Exhibition basically reflects the present situation of the creation of regular script. Many of the works have shown a good development trend of taking root in tradition, weakening the production of form, and paying attention to the writing of nature. However, some of the works also exposed the defects in the creation of regular script at present, such as the tendency to converge in style. In this exhibition, the majority of the works in the exhibition are Xiaokai and Zhongkai, while the works of Dakai are very few. The technical features of the works in small characters are concentrated on the delicate use of pens. The strokes are thin and hard, but they are not yet up to the aesthetic height of the iron silver hook; the knots seek refinement, the small tastes are many, the great weather is few, and there are fewer works that show each other in a simple way or in a clever way. From the point of view of the method of drawing, Most of the works in small Chinese characters are concentrated on the epitaph of the delicate way of the Northern Dynasty. Chu Suiliang's the Goose Pagoda's Scripture, < Yin Fu
【作者单位】：山西忻州师范学院;
【分类号】：J292.1

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