当下隶书创作探析

发布时间：2018-03-11 17:30

  本文选题：试错　切入点：“误读”　出处：《中国书法》2017年05期 　论文类型：期刊论文

【摘要】：正当下的隶书创作繁荣,不断推陈出新,析其原因是隶书书家充分利用"试错"与"误读"两种解读模式。本文首先在释解"试错"与"误读"概念的基础上,强调其在书法创作中的必要性;其次,解析在当前语境下隶书书家是如何进行"试错"与"误读"的,故选取部分代表书家,就其取法渊源、"试错"过程、"误读"方式等问题进行具体分析,梳理出一种多元化的隶书创作
[Abstract]:At the same time, the creation of official script is flourishing and the new is constantly emerging from the past. The reason is that the official calligraphers make full use of the two reading modes of "trial and error" and "misreading". Firstly, this paper explains the concepts of "trial and error" and "misreading". It emphasizes its necessity in calligraphy creation. Secondly, it analyzes how the official calligraphers carry out "trial and error" and "misreading" in the current context, so some of them represent the calligraphers. This paper makes a concrete analysis on the origin of its method, the process of "trial and error" and the way of "misreading", and sorts out a diversified creation of official script.
【作者单位】： 四川大学;
【分类号】：J292.1
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本文编号：1599177