回到书写行为的地面——我看书法的文化养成

发布时间：2018-03-25 23:36

本文选题：书法文化　切入点：书法美学　出处：《美术观察》2012年09期

【摘要】：正中国书法艺术需要文化养成,其简要原因在于中国书法艺术本身就是中国文化长期孕育的结晶。如此,书法艺术需要文化养成的命题,想必早有人论述过,似已不言而喻,不证自明了。例如,谈论书法文化养成,就似乎仅仅意味着师法历代名家的书法经典及其背后的高深文化底蕴。但是,在我看来,这个看似铁命题或硬道理的经典表述背后,却可能包藏着一些不易觉察的未定因素,需要引起当前书法文化养成论者的足够重视。这里至少可以见出三个相互关联的未定点来:一是谁的书法,二是谁的文化,三是为谁养成,这里不妨对此做点简要探讨。
[Abstract]:Chinese calligraphy art needs culture cultivation, and its brief reason is that Chinese calligraphy art itself is the crystallization of Chinese culture for a long time. Thus, the proposition that calligraphy art needs culture cultivation must have been discussed for a long time and seems to be self-evident. For example, talking about the cultivation of calligraphy culture seems to mean only the calligraphy classics of the masters of the past dynasties and the profound cultural background behind them. But, in my opinion, behind this classic statement, which seems to me to be an ironclad proposition or a hard truth, But there may be some undetectable undetermined factors that need to be taken seriously by the current calligraphers. Here we can see at least three interrelated uncertainties: first, whose calligraphy, and whose culture, Third, for whom to cultivate, here might as well do a brief discussion of this.
【作者单位】：北京大学艺术学院;
【分类号】：J292.1

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