孙过庭“通会”书法美学思想研究

发布时间：2018-03-27 07:53

本文选题：孙过庭　切入点：书谱　出处：《山东大学》2014年硕士论文

【摘要】：孙过庭所作《书谱》在书法史上具有举足轻重的地位。书法创作自东汉独立为一门专门的艺术,相关书论也随之出现。但这些初创时期的书论大都是个体创作的经验性感悟,或对某书体的评论。直至魏晋南北朝时期,书法创作虽达到了第一个高峰,在书法理论方面却仍缺乏对整个书艺系统的理论总结。作为初唐书论的重要成果,孙过庭《书谱》在对前人理论进行总结的同时,也提出了不少精辟观点,开启了唐代书论的新局面。考察《书谱》各理论观点,实以“通会”一词将书法创作各方面的思想予以系统化,并进行深入阐发。可以说,“通会”一词是贯穿全文的核心词汇。孙过庭通过溯源流、辨书体、评名迹、述笔法、诫学者、叹知音,将书法创作经验上升为理论,摒弃了前人神秘主义的解释,将“通会”确立为书法创作与欣赏的理论依据。而由“通会”一词所包蕴的“中和”书法美学思想,不仅使汉晋以来的书学理论得以体系化,还将书法艺术与传统哲学体系联接起来,增强了书法理论的生发能力,构筑了以“中和”书法美学思想为核心的书史观、情性观、创作观和欣赏观,为书艺发展提供了坚实的理论基础。本文抓住《书谱》的核心词“通会”,第一部分拟从“古今之通”“诸体之通”“心手之通”、书与人生之通四个方面逐层阐明“通会”的含义；第二部分从中国传统哲学基础、人类实现自由本质的需要两个方面探究“通会”所依据的文化传统,并从书艺发展的必然、唐代“尊王”的书法风尚、唐代的社会价值取向三个方面说明“通会”标准提出的历史条件；第三部分从理论与艺术实践两个视角总结《书谱》理论的历史与现实意义。对《书谱》的书法观点进行梳理,不仅可以为理解孙过庭相对松散的理论体系提供一个更加紧密的结构,更有助于理清传统文化中的“中和”思想是如何进入书法理论领域,并逐渐成熟,成为书法思想发展中的重要组成部分的。此外,进入现代社会后,随着硬笔书写取代毛笔,书法艺术已完全脱离实用领域,而成为与绘画并列的专门艺术。在此种情况下,对孙过庭书法理论的研究,也有助于为书法的可持续发展寻找突破口与根柢。
[Abstract]:The calligraphy works written by Sun Kuan-ting played an important role in the history of calligraphy. Calligraphy creation has become a special art since the Eastern Han Dynasty, and related book theories have also appeared. However, most of these book theories in the initial period were the experiential insights of individual creation. Until the Wei, Jin, Southern and Northern dynasties, calligraphy creation reached the first peak, but in calligraphy theory, there is still a lack of theoretical summary of the whole calligraphy system. As an important achievement of the early Tang Dynasty calligraphy theory, While summing up the previous theories, Sun put forward many brilliant viewpoints, which opened the new situation of the book theory in the Tang Dynasty. Examining the various theoretical viewpoints of "Book Spectrum", in fact systematizing all aspects of calligraphy creation with the word "Tonghui" and further elucidating it. It can be said that the word "Tonghui" is the core word running through the full text. Distinguish the calligraphy style, comment on the notoriety, describe the method of writing, admonish the scholar, sigh the bosom, raise the calligraphy creation experience to the theory, and abandon the explanation of the previous mysticism. "Tonghui" is established as the theoretical basis for calligraphy creation and appreciation, and the aesthetic thought of "neutralization" of calligraphy contained in the word "Tong Hui" not only systematizes the theory of calligraphy since the Han and Jin dynasties. It also combines calligraphy art with traditional philosophy system, strengthens the developing ability of calligraphy theory, and constructs the book history view, emotion view, creation view and appreciation view with "Zhong" calligraphy aesthetic thought as the core. It provides a solid theoretical basis for the development of book art. The first part is to explain the meaning of "Tonghui" from the four aspects of "ancient and modern communication", "communication of all bodies", "communication of heart and hand", four aspects of the connection between book and life, the second part is from the foundation of Chinese traditional philosophy. In order to realize the essence of human freedom, we need to explore the cultural tradition on which Tonghui is based, and from the necessity of the development of calligraphy and art, the calligraphy style of "respecting king" in Tang Dynasty. The social value orientation of the Tang Dynasty explains the historical conditions put forward by the standard of "Tonghui"; the third part summarizes the historical and practical significance of the "Book Spectrum" theory from the two perspectives of theory and art practice. Combing the calligraphy viewpoint of "Book Spectrum" can not only provide a closer structure for understanding Sun's relatively loose theoretical system, but also help to clarify how the "neutralization" thought in traditional culture enters the field of calligraphy theory. And gradually matured, becoming an important part of the development of calligraphy thought. In addition, after entering the modern society, with the hard pen writing replacing the brush, the calligraphy art has completely divorced from the practical field. In this case, the study of Sun's calligraphy theory will help to find a breakthrough and root for the sustainable development of calligraphy.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J292.1

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