当前位置:主页 > 文艺论文 > 书法论文 >

黄道周“八分书”研究

发布时间:2018-03-30 04:32

  本文选题:黄道周 切入点:晚明 出处:《中国美术学院》2016年硕士论文


【摘要】:本文以黄道周“八分书”作为研究主题,通过对历代书论中对八分书、隶书相关资料的搜罗,从中梳理明以前对“八分书”与“隶书”名实考辩以及今人的误解。继而从黄道周八分书作品与品评分析,试图勾画出黄道周手底乃至心中的八分书。最后从其八分书艺术特点以及时代性出发,揭示晚明“八分书”倍受推崇的原因。晚明仕人心目中黄道周的八分书也有着极高影响力,然其名往往被行草书所掩盖。这种八分书历史现象的掩盖,对于黄道周研究而言,乃至晚明书法史而言存在着众多遗憾。本人试图先从明代八分书准确的概念界定入手,从黄道周八分书创作与品评剖析,以求进一步深入了解黄氏的八分书以及时代现状。从中可以发现,正由于晚明时期这样的八分书现状的存在,书家对八分书这种蕴含所谓“古法”、“汉法”书体的不断探索下,这为清代初期金石学的萌芽奠定了必要的基础条件。
[Abstract]:This paper takes "Eight-Fen Book" of Huang Dao and Zhou Dynasty as the research subject, through searching for the relevant materials of Eight-Fen script and official script in the book theory of the past dynasties. Combing through the misunderstandings about the names and facts of "eight Fen Shu" and "official script" before the Ming Dynasty, and then analyzing the works and comments of the eight Fen Books of Huang Dao and Zhou Dynasty, This paper attempts to draw up the eight points of the book of the hand and even the heart of the zodiac. Finally, starting from the artistic characteristics of the eight points of the book and the nature of the times, It reveals the reason why the Eight-Fen Book of the late Ming Dynasty is highly respected. In the eyes of the people of the late Ming Dynasty, the Eight-Fen Book of Huang Daozhou also has a very high influence, but its name is often concealed by cursive calligraphy. This historical phenomenon of the Eight-Fen Book is a cover up for the study of Huang Daozhou. There are many regrets in the history of calligraphy in the late Ming Dynasty. I try to start with the definition of the accurate concept of the eight-part books in the Ming Dynasty, and analyze the creation and evaluation of the eight-component books of the Yellow Festival and the Zhou Dynasty. In order to further understand Huang's eight-part books and the present situation of the times, we can find out that it is precisely because of the existence of such eight-component books in the late Ming Dynasty that the calligraphers have explored the so-called "ancient method" and the "Han Law" calligraphy style. This laid the necessary foundation for the germination of the early Qing Dynasty.
【学位授予单位】:中国美术学院
【学位级别】:硕士
【学位授予年份】:2016
【分类号】:J292.1

【相似文献】

相关期刊论文 前10条

1 陈礼荣;;传帖妙解八分书——新见李瑞清三幅书法真迹[J];书法艺术;1995年05期

2 刘海清;;傅山在晋祠的隐居处——云陶洞[J];晋阳学刊;1982年05期

3 姜栋;;高凤翰《八分说》解[J];书法;2012年12期

4 董桥;;拜月·读梅[J];中国书画;2006年06期

5 冯印强;;中国隶书发展史的另一种诠释[J];书法赏评;2008年01期

6 林京海;;蔡邕批评:由魏晋至唐的转变[J];书法之友;1994年06期

7 张朵聪;;东汉南阳境域铭文隶书概述[J];南阳师范学院学报;2007年08期

8 甘中流;;蔡邕书法地位的变化与相关的历史问题[J];东岳论丛;2011年08期

9 ;2006年5期“楹联大擂台”评选结果[J];龙门阵;2006年07期

10 黄`,

本文编号:1684396


资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/shufayishu/1684396.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户f49a9***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com