吴门书派草书研究

发布时间：2018-03-30 07:59

本文选题：吴门书派　切入点：祝允明　出处：《中央美术学院》2016年博士论文

【摘要】：论文以祝允明为中心,展开对明代中期吴门书派近百年间草书创作的考察,分析其书风的多样性及成因、风格特征及影响,进而放在书法史的宏观视野中分析其得与失。论文以明中期吴门书派的鉴藏活动为切入点,探讨这一时期吴门书家十分热衷的古代书画收藏对于草书实践的直接影响,最为明显的是传统二王书风与怀素大草书风在这一时期的盛行。在此基础上,论文进一步探讨了吴门书家才能构成与成长的特点。论文的第二章、第三章分别对祝允明大草书风的成因与艺术特色展开研究。吴地历史以来代不乏人的草书传统,明中期特殊的社会思潮,吴门文人独特的狂狷精神以及高堂大轴的盛行,是以祝允明的为中心的吴门大草书风在这一时期勃兴的条件,而祝允明书学思想中“功”与“性”的并重,使他既能入古又能出新,成为这一时期草书的代表人物,其在线质内涵与空间形态上的创造性,使明中期吴门大草成为书法史中重要的一环。文章第四章考察了祝允明与陈淳、王宠、文彭、文嘉之间关系,通过交游、题跋、诗文以及书风分析,还原祝允明与他们虽无师徒之名,却有师徒之实的客观情形,同时展示了吴门大草书风的整体格局。文章的最后,对吴门书派草书实践的得失进行较为具体的研究,从线质的改变这一点上考察其在书法史发展进程中的重要意义,深刻影响了此后书家的创作实践。同时也带来了失笔现象的频繁出现。另外,草意对于其他书体的渗透也是其影响中颇为独特的现象。
[Abstract]:Taking Zhu Yunming as the center, this paper makes an investigation on the cursive writing of Wu Men School in the middle of Ming Dynasty, analyzes the diversity and cause of writing style, style characteristics and influence, and then analyzes its gains and losses in the macroscopic view of calligraphy history.Based on the collection activities of Wu Men calligraphy School in the middle of Ming Dynasty, this paper discusses the direct influence of the ancient calligraphy and painting collection on cursive practice, which is very popular in Wu Men calligraphy School in this period.The most obvious is the traditional style of the two Wang Shufeng and Huaisu big cursive style prevailing in this period.On this basis, the thesis further discusses the characteristics of the composition and growth of Wu Men calligrapher's ability.The second chapter and the third chapter study the causes and artistic characteristics of Zhu Yunming's cursive style.Since the history of Wu, there has been no shortage of the tradition of cursive writing. The special social trend of thought in the middle of Ming Dynasty, the unique spirit of fanaticism of Wu Men literati and the prevalence of the great axis of Gaotang are the conditions for the prosperity of the style of the great cursive calligraphy of Wu Men, centered on Zhu Yunming, during this period.But Zhu Yunming's thought of "work" and "sex" made him enter the ancient times as well as produce new ones, and become the representative figure of cursive calligraphy of this period, whose online quality connotation and creativity in space form.So that in the middle of the Ming Dynasty Wu Men grass became an important link in the history of calligraphy.The fourth chapter examines the relationship between Zhu Yunming and Chen Chun, Wang Cong, Wen Peng and Wen Jia. Through the analysis of friends, postscript, poetry and style of books, Zhu Yunming and them have the objective situation that although they have no name for teachers and disciples, they have the reality of teachers and disciples.At the same time, it shows the overall pattern of Wu Men's great cursive style.At the end of the article, the author makes a more concrete study on the gain and loss of cursive practice of Wu Men School of calligraphy, examines its significance in the development process of calligraphy history from the point of line quality change, and profoundly influences the calligrapher's creation practice since then.At the same time, it also brought about the frequent appearance of the phenomenon of loss of pen.In addition, the penetration of Cao Yi to other books is a unique phenomenon in its influence.
【学位授予单位】：中央美术学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J292.1

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