《圣教序》的历史价值及当下的艺术价值研究

发布时间：2018-03-30 18:08

本文选题：《圣教序》　切入点：价值　出处：《山西师范大学》2017年硕士论文

【摘要】：《圣教序》全名为《大唐三藏圣教序》,由唐朝皇帝太宗亲自书写。书法史上有褚遂良所书的楷书《雁塔圣教序》和由沙门怀仁和尚历时二十余年从王羲之书法中集字,刻制成碑文的行书《集王羲之书圣教序》两种。它们在书法史上都具有重要的地位。因序文的作者是当朝皇帝,书写者与集录者都是当时一流名家,故《圣教序》书法受到历代书法家的推崇,至今依然是学书者重要的临摹样帖和范本。楷书《雁塔圣教序》存放于陕西西安市南郊慈恩寺大雁塔底层,所以又称《慈恩寺圣教序》。除序文外,《雁塔圣教序》还包括唐高宗撰写的《大唐皇帝述三藏圣教序记》。而行书《圣教序》除序文之外,还包括玄奘法师翻译的《般若波罗蜜多心经》。怀仁集王羲之行书《圣教序》虽比褚遂良楷书《圣教序》晚十九年,但二者都有着独特的书法艺术风格,至今仍影响深远。本文从《圣教序》的内容着手,首先从佛教角度考察圣教序的宗教价值,并从序文内容分析玄奘法师取经的艰辛。其次从书法角度分析《圣教序》的艺术价值,通过梳理后世取法《圣教序》书法家的生平、书法特点、书法书学思想、书法作品等内容,分析不同朝代书法家对《圣教序》的理解、传承和发展。最后从批评学的角度分析《圣教序》对其当下书法艺术研究和创作的影响。
[Abstract]:The full name of the Holy Religion was written by Emperor Taizong of the Tang Dynasty.In the history of calligraphy, there are two kinds of regular script written by Chu Suiliang, the Preface of the Goose Pagoda, and the script written by the monk Shamen Huairen from Wang Xizhi's calligraphy for more than 20 years.They all play an important role in the history of calligraphy.Because the author of the preface was the emperor of the dynasty, the writer and the collector were all the first class famous writers at that time, so the calligraphy was highly praised by calligraphers of all dynasties, and it is still an important copy sample and model for the learners of books up to now.The Goose Pagoda Scripture is deposited at the bottom of the Big Wild Goose Pagoda in Cien Temple, the southern suburb of Xi'an City, Shaanxi Province, so it is also called the Holy Scripture of Cien Temple.In addition to the preface, the Goose Pagoda Scripture includes Tang Gao Zong's Scripture of the three Tibetan Saints of the Emperor of the Tang Dynasty.In addition to the preface, Master Xuanzang translated the Prajna Paramita Heart Sutra.Although Hui Ren Ji Wang Xizhi's running script "the Holy Prophet" is 19 years later than Chu Suiliang's regular script and the Holy Book, both of them have a unique style of calligraphy and still have a profound influence to this day.This paper begins with the content of the Holy Scripture, first of all from the perspective of Buddhism to examine the religious value of the Holy Scripture, and from the preface content to analyze the hardships of Master Xuanzang in taking the scriptures.Secondly, from the perspective of calligraphy, this paper analyzes the artistic value of the Holy Preface, and through combing the life of calligraphers, the characteristics of calligraphy, the thought of calligraphy calligraphy and calligraphy works, etc.This paper analyzes the understanding, inheritance and development of the Holy Bible by calligraphers in different dynasties.Finally, from the perspective of criticism, this paper analyzes the influence of the Holy Preface on the research and creation of calligraphy art.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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