钱南园楷书风格研究

发布时间：2018-03-30 22:05

本文选题：钱南园　切入点：楷书　出处：《中国艺术研究院》2017年硕士论文

【摘要】：自晚唐以来,颜体在书坛的地位得以确定,成为“二王”之外的一种典型书风,之后历代皆有学颜大成的书家,清代就曾掀起过学颜的高潮,沙孟海的《近三百年的书学》中列举了刘墉、钱南园、张廷济、翁同煝等人。其中,钱南园对颜真卿人品、书品全面地追摹尤为突出。他生平敬重颜真卿为人,书亦法之。其楷书主要取法颜真卿,汲取了颜楷的圆润厚重、大气雄浑,又融合多家书风,形成古朴苍劲、庄严肃穆的独特风格,在清代书坛独树一帜。钱南园是学古出新的代表,在清末民初,学颜楷之人大多先从学钱入手,可见其楷书地位。因此,笔者就钱南园楷书对颜楷的继承与创新进行了详尽论述,以求丰富以往少量的钱南园书法研究资料。本文共分三章。第一章以钱南园生平为切入点,从时间上分析阐述了其楷书风格发展的三个阶段;第二章具体论述了钱南园楷书对颜楷的继承与创新,通过钱、颜二人楷书作品的图片对比,从笔法、线条和结体三个方面具体分析了钱南园的楷书风格。第三章分析钱南园楷书的影响,从他的楷书在清末民初的地位及受其影响的书家两方面分析了钱南园楷书的影响和价值,并阐释了他学颜而自成一家的经历对当代楷书创作的启示。
[Abstract]:Since the late Tang Dynasty, Yan's position in the literary world has been determined, becoming a typical style of calligraphy beyond the "two kings". After that, there have been calligraphers who studied Yan Dacheng in successive dynasties, and the Qing Dynasty once set off a climax of learning Yan.Sha Menghai's the book of nearly 300 years enumerates such people as Liu Yong, Qian Nanyuan, Zhang Tingji, Weng Tongyu and so on.Among them, Qian Nanyuan to Yan Zhenqing's character, the book product comprehensive tracing copy is particularly prominent.He has always respected Yan Zhenqing as a man, and the book is also a law.His regular script mainly draws on Yan Zhenqing, drawing on Yan Kai's plump and heavy, powerful atmosphere, and the combination of many styles of calligraphy, forming a unique style of simplicity and solemnity, which is unique in the calligraphy world of the Qing Dynasty.Qian Nanyuan is a new representative of learning from ancient times. In the late Qing Dynasty and the early Republic of China, most of the people who studied Yan Kai first started with learning money.Therefore, the author discusses in detail the inheritance and innovation of Qian Nanyuan's regular script to Yan Kai, in order to enrich a small amount of Qian Nanyuan's calligraphy research materials in the past.This paper is divided into three chapters.The first chapter takes Qian Nanyuan's life story as the breakthrough point, analyzes the three stages of the development of his regular script style in time, and the second chapter concretely discusses the inheritance and innovation of Qian Nanyuan's regular script to Yan Kai, and through the comparison of pictures of Qian and Yan's regular script works, the second chapter discusses concretely the inheritance and innovation of Qian Nanyuan's regular script to Yan Kai's works.This paper analyzes Qian Nanyuan's style of regular script from three aspects: brushwork, line and conclusion.The third chapter analyzes the impact of the role of his regular script in the late Qing Dynasty and the beginning of the Republic of China and the impact of its impact on the impact and value of the role of the role of regular script.It also explains the enlightenment of his experience of learning Yan Yan and his own family to the creation of contemporary regular script.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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