张宗祥论书

发布时间：2018-04-01 08:03

本文选题：论书绝句　切入点：古隶　出处：《中国书法》2015年21期

【摘要】：正张宗祥有《临池随笔》《论书绝句》等著作。《书学源流论》分原始篇(篆、隶、楷、草、行)、屋异篇(笔、纸、墨)、时异篇(汉晋、六朝、隋、唐、五代、宋、元、明、清)、势异篇(用笔、结构)、人异篇(胸襟、学问)、溯源篇、赏鉴篇等。自记云:"艺术术之书,传者绝少,譬诸久行沙漠中,一旦得见草木,虽寻常或亦足赏玩耳。"全书简明扼要,精彩纷呈。如:"碑版流传,篆少于隶矣。自汉历晋至唐,由雄浑而恣肆,由恣肆而工秀,气象不同,而字体之变易甚少。故论隶书,则汉为大宗,晋为庶出,唐为小宗矣。又隶较篆变易甚少,然名称混淆甚矣。有以真书当隶者,有以六朝碑当隶者,古隶、今隶,聚讼盈庭,徒
[Abstract]:Zheng Zhang Zongxiang has some works, such as the essay on Lin Chi, on quatrains of Books and so on. The Origin and flow of calligraphy is divided into original chapters (seal, Li, Kai, grass, line, house, different text) (pen, paper, ink, time and variety) (Han and Jin, six dynasties, Sui, Tang, five dynasties, Song, Yuan, Ming, Ming, "the book of art and art is seldom handed down, and it is likened to a long journey in the desert, once it has been seen," he wrote in his mind, learning, tracing back to the source, and appreciating and judging, and so on, in a different text (with pen, structure, etc., etc.), and wrote: "the book of art and art is seldom handed down, and it is compared to a long journey in the desert. Although it is common or full of enjoyment of ears. "the book is concise and colorful. For example," the tablet version is circulated, the seal character is less than Li. From Han Dynasty to Jin Dynasty to the Tang Dynasty, from the Han Dynasty to the Tang Dynasty, from bold and unrestrained to unrestrained, the weather is different, and the change of the typeface is very few. Therefore, on the official script, Then Han for the bulk, Jin for the common, the Tang Dynasty for the small Zong. Li Li than Zhuan changes easily very little, but the name is confused. There is a true book when the scribe, there are six dynasties when the tablet when the scribe, ancient Li, Li, gather Yi Ying, the disciples.
【作者单位】：西冷印社;浙江省博物馆;
【分类号】：J292.1

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