瓷墨肇始——陶瓷书法的滥觞

发布时间：2018-04-01 20:11

本文选题：陶瓷　切入点：书法　出处：《中华文化论坛》2017年09期

【摘要】：陶瓷与书法结合之美在隋唐以后的陶瓷作品中发展到淋漓尽致,形式多样、琳琅满目,而这二者实际自古就渊源颇深,陶瓷与书法的结合经历过一个漫长的滥觞时期,随着考古发现材料日益丰富,逐渐揭示出二者的漫长渊源。陶瓷书法,顾名思义,即为表现在陶瓷上的书法。"真正意义上的陶瓷书法是在唐朝",陶瓷书法的滥觞则是在此之前,从新石器时期的陶器上的刻划符号,到东汉成熟瓷器上的铭文,陶瓷书法经历了一个漫长的滥觞期。东汉瓷器的烧制成功,不仅是我国陶瓷史上的一次飞跃,同时也标志着陶瓷书法滥觞期的结束。陶瓷书法是利用传统的书法艺术和陶瓷工艺的一切科技成果发展起来的,它既是书法艺术形式的延伸,又是陶瓷工艺美术的一种开拓,它具有书法艺术和陶瓷工艺美术的双重特征。对陶瓷书法起源的探讨不仅是应该,也是必须的,不仅是有必要的,也是有意义的。
[Abstract]:After Sui and Tang dynasties, the beauty of the combination of ceramics and calligraphy developed to be incisive and incisive, with various forms and a variety of eyes. However, the combination of ceramics and calligraphy has had a long history since ancient times, and the combination of ceramics and calligraphy has experienced a long period of origin. As the archaeological discovery material is increasingly abundant, it gradually reveals the long origin of the two. Ceramic calligraphy, as the name implies, is the calligraphy that is manifested in ceramics. "the true meaning of ceramic calligraphy was in the Tang Dynasty," and the origin of ceramic calligraphy was before that. From the inscription of pottery in the Neolithic period to the inscription on the mature porcelain of the Eastern Han Dynasty, ceramic calligraphy has experienced a long period of origin. The success of firing porcelain in the Eastern Han Dynasty is not only a leap in the history of Chinese ceramics. At the same time, it also marks the end of the beginning period of ceramic calligraphy. Ceramic calligraphy is developed by using traditional calligraphy art and all the scientific and technological achievements of ceramic craftsmanship. It is not only an extension of calligraphy art form, but also a kind of development of ceramic arts and crafts. It has the dual characteristics of calligraphy art and ceramic arts and crafts. The discussion on the origin of ceramic calligraphy is not only necessary but also necessary and meaningful.
【分类号】：J292.1;J527

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