王羲之“兴酣兰亭”与帖书之盛行——论书体“互溶”在书法创新中的意义

发布时间：2018-04-03 23:53

  本文选题：碑帖　切入点：同祖　出处：《中国书法》2017年16期

【摘要】：在中国书法史上,南帖北碑,源于魏晋而各创时代辉煌,为艺苑之双璧。北朝书家继承锺、卫传统,书风古质雄强;江左则由"二王"创新,书成"今体",南北分流,各有特色。"二王""新体",是书体"互溶"的产物。所谓"互溶",原指两种液体能以任何比例互相溶解的现象,不同书体的相互渗透,情形与此相似。清郑板桥"六分半书"、邓石如"分笔入篆"及当代陆维钊"蜾扁体"的产生,足以证明此法之可行。而"二王"变体,《兰亭》立极,则是书体率先"互溶"的成功范例。据此,笔者以为:碑、帖各有风采,今日书家创新,应将书体"互溶"置于要津。
[Abstract]:In the history of Chinese calligraphy, the south and north tablet originated from the Wei and Jin dynasties and created brilliant times.The Northern Dynasty calligraphers inherited Zhong, Wei's tradition, and the ancient style of calligraphy was strong, while the left of the river was innovated by the "two kings", the book became "today's body," and the north and the south diverged, each with its own characteristics. "Two kings, "new body", is the book "mutually dissolve" the product.The so-called "mutual dissolution" refers to the phenomenon that two liquids can dissolve each other in any proportion.Zheng Banqiao's six and a half books, Deng Shiru's writing into seal character and contemporary Lu Weizhao's "fruit flat body" can prove the feasibility of this method.The "two kings" variant, Lanting, is a successful example of the book's first "mutual dissolution".According to this, the author thinks: the tablet, the placard has the style, today the calligrapher innovation, should put the book style "mutually dissolve" in the main Tianjin.
【分类号】：J292.1
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本文编号：1707453