何绍基书论中的美学思想研究

发布时间：2018-04-14 04:18

本文选题：何绍基 + 书论　；参考：《西南大学》2010年硕士论文

【摘要】：本文为晚清书法家、文学家何绍基(1799—1873)书法理论的尝试性研究。本文分为三章来阐述：第一章从何绍基的家学渊源、交游以及宋诗对其思想的影响入手,探寻其书法观念、书论美学思想的来源以及学术基础。第二章阐释了何绍基的书论美学思想与书法观念之间的内在关系,包括气韵与“书画一理”观、气韵与“书与性道通”、气韵与“运笔观”,旨在说明“气韵”论是何绍基书论美学思想的核心,是贯穿于何氏整个书法观念的主线,它们是一种互生的关系。第三章主要论述何绍基书法品评中的审美思想“精古雄厚”,这种审美思想既是对他人作品的审美评价,同时又是何氏本人的审美追求,这两者是相互联系的。从内在关系上看,“气韵”论是何绍基整个书论美学思想的核心,他的“精古雄厚”的品评思想既是其“气韵”论的延伸,又是“气韵”论在作品表现形态上的外在体现,两者相辅相承,互为补充。
[Abstract]:This paper is a tentative study of calligraphy theory by he Shaoji, a calligrapher and writer in the late Qing Dynasty.This paper is divided into three chapters: the first chapter starts with he Shaoji's family origin, friends and the influence of Song poetry on his thoughts, and probes into his calligraphy concept, the origin and academic basis of his calligraphy aesthetic thought.The second chapter explains the inner relationship between he Shaoji's aesthetic thought of calligraphy and calligraphy, including Qi Yun and "calligraphy and painting one principle" view, Qi Yun and "book and sex Tao Tong", Qi Yun and "carrying pen view".The purpose of this paper is to explain that the theory of "Qiyun" is the core of he Shaoji's aesthetic thoughts on calligraphy, and it is the main line running through his whole concept of calligraphy, which is a kind of mutual relation.The third chapter mainly discusses the aesthetic thought of he Shaoji's calligraphy evaluation, which is not only the aesthetic evaluation of others' works, but also he's own aesthetic pursuit, which is related to each other.In terms of internal relations, the theory of "Qiyun" is the core of he Shao-ji 's whole aesthetic thought of book theory. His "refined ancient abundant" evaluation thought is not only an extension of his theory of "charm", but also an external embodiment of his theory of "Qiyun" in the form of expression of his works.The two complement and complement each other.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J292.1

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