表意性篆刻创作的探索

发布时间：2018-04-15 11:24

本文选题：甘肃庆阳 + 表意性　；参考：《中国书法》2017年15期

【摘要】：正在篆刻创作的道路上,我做过多种尝试,先后有四种面貌在国展上亮相。我曾提出篆刻的基本刀法不是"冲刀"和"切刀"两种,而是"冲、切、摆"三种;提出篆刻的"八大章法"理论,相关文章在《中国书法》等核心期刊上发表,但篆法问题却困扰了我几十年。我不断地想着"印从书出""印外求印"等问题。艺术灵感来源于生活。我的思路来源于去年秋季甘肃庆阳考察,沿途的景象让我一下子惊呆了,三十几年的累积开始涌动,创作的欲望让我泪流满面。在模糊的视线里,史前的岩画符号、七千年前的古陶纹饰、诡异的道教符号、各种鸟虫
[Abstract]:In the road of seal cutting, I have made a variety of attempts, there have been four faces in the national exhibition.I have proposed that the basic cutting methods of seal cutting are not "punching knives" and "cutting knives", but "punching, cutting and arranging". I have put forward the theory of "eight major rules" of seal cutting, and the relevant articles have been published in core journals such as Chinese calligraphy.But the question of seal character has troubled me for decades.I keep thinking about the issue of "printing from books", "printing from outside" and so on.Art inspiration comes from life.My train of thought came from Qingyang, Gansu Province last fall. The scene along the way shocked me. The accumulation of more than 30 years began to surge, and the desire to create made my face cry.In the blurred view, the symbols of prehistoric rock paintings, the ancient pottery ornaments of 7,000 years ago, the strange signs of Taoism, all kinds of birds and insects.
【作者单位】：渤海大学艺术与传媒学院;西泠印社;石峰印社;中国印学研究所;
【分类号】：J292.4

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