篆书用笔的认知与探索

发布时间：2018-04-16 06:51

本文选题：道生一 + 三生万物　；参考：《中国书法》2017年17期

【摘要】：正完白老书《白氏草堂记》亦显墨润之奇观。缶翁老最得堂奥并另辟新境篆。书之笔画,乃线成焉。论表现形式,线有直、弧、曲、短、长之分;论审美文化,有古拙朴厚,有婉若铁线,有刚柔相济,有苍老雄厚诸种。余以为诸种线条可归集为"一画"。古人所云"一画论"是也。汉许慎《说文》曰:"唯初太极,道立于一。"老聃云:"道生一、一生二、二生三、三生万物。"石涛《画语录》有"一画"之说:"太古无法,太朴不散。太朴一散而法立矣。法于何立?立于一画。一画者,众有之本,万象之根,见用于神,藏用于
[Abstract]:End the old white book "Bai Cao Tang Ji > significantly ink run. The wonders of the depths of the old fou Weng and start a new path. The book seal strokes, but Yan. On line into the form, line straight, arc, curved, short, long hours; aesthetic culture, a simple Portsmouth have thick, if Wan wire, there is a strong move among force and soft, old. I think that the line can be summarized into" a painting ". The ancients cloud" painting "is also. Han Xu Shen Wen said:" only the < > at the beginning of Tai Chi, standing on a road. "Laodan cloud:" Tao Sheng a life of two, two, three, three things. "" < > quotations "a painting" said: "not too Portsmouth not scattered Taigu, too. A park scattered and legislative method to carry on. He made a stand? A painting. The painting, with all this, the Vientiane see the root, for God, for Tibet

【作者单位】：北京市机关书协;
【分类号】：J292.1

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