论影响清初帖学衰微的几个因素

发布时间：2018-04-18 15:22

本文选题：清初 + 帖学　；参考：《中央美术学院》2008年硕士论文

【摘要】： 一般的来说,清代的书法发展,按时间大致可分三段。早期(约顺治、康熙、雍正时)是明季书风的延续,属帖学期;中期(约乾隆、嘉庆、道光时),帖学由盛转衰,碑学逐渐兴起;晚期(约咸丰、同治、光绪、宣统时),是碑学的中兴期。对于整个书法艺术历史进程来说,清代初期的书法仍为帖学期,它承接了晋唐以来一千多年的帖学传统,因而在清政权建立以后的相当一段时期内,其主要书风仍然是是明季书风的延续。清代书法的整体发展是以碑派的萌芽、发展、兴盛为主脉络,帖学则以衰微之势趋下发展。在探讨这个问题时,我们往往过多关注于碑派对帖学的冲击,而对帖学自身的检讨则鲜有提及。本文以为清初在碑派尚未形成气候之时,帖学已呈现出衰微之势,具体表现在这么几个方面:一、经典作品价值取向的转移;二、对近世名家的盲目崇拜;三、刻帖泛滥与金石学复兴对取法的影响;四、书法教育与品评的缺失;五、清早期书论的悖误。这几个因素无疑都影响了帖学的发展。这些因素出现在清初书坛,决不是偶然的巧合,而是当时社会环境、当时人们的观念意识和审美理想在艺术活动中社会心理情绪的真实反映,包涵着深刻的历史因素。
[Abstract]:Generally speaking, the development of calligraphy in the Qing Dynasty can be roughly divided into three sections by time.The early period (about Shunzhi, Kangxi, Yongzheng) is the continuation of the Ming monsoon style of study, which belongs to the term of post; in the middle period (about Qianlong, Jiaqing, Daoguang), the study of placards gradually rises from prosperity to decline, and in the late period (about Xianfeng, Tongzhi, Guang Xu, etc.),Xuantong Shi he, is the tablet study of the middle-rise period.For the whole process of calligraphy art history, calligraphy in the early Qing Dynasty is still a poster term. It inherits more than a thousand years of calligraphy tradition since the Jin and Tang dynasties, so it was a considerable period after the establishment of the Qing Dynasty.Its main book style is still the continuation of the Ming monsoon style of writing.The overall development of calligraphy in the Qing Dynasty was the germination and development of the tablet school.When we discuss this problem, we tend to pay too much attention to the impact of the tablet party post, but the review of the post itself is seldom mentioned.This article thinks that in the early Qing Dynasty, when the tablet school had not formed a climate, the placards had shown a declining trend, which was manifested in the following aspects: first, the transfer of the value orientation of classical works; secondly, the blind worship of modern famous scholars; third,The influence of the flood of engraving and the revival of the orogeny on the method of learning; fourth, the lack of calligraphy education and evaluation; and (5) the perversion of the early Qing Dynasty's book theory.There is no doubt that these factors have affected the development of the post study.These factors appeared in the book world in the early Qing Dynasty, not by chance, but by social environment. At that time, people's concept consciousness and aesthetic ideal truly reflected the social psychological emotion in the artistic activities, which included profound historical factors.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J292.26

【引证文献】