从美学的高度拨开迷雾——楚默新著读后

发布时间：2018-04-27 00:03

  本文选题：拨开迷雾 + 中国书法　； 参考：《中国书法》2017年15期

【摘要】：正"丑书"是困惑书坛的一个老大难问题。挞伐者、辩之者、鼓吹者各说各的理,各说各的"丑"。其实大都是在认识论的层面说看得见的有形的丑书作品。至于是不是艺术品、是否具有艺术美都未弄清。这里除了概念的混乱、艺术边界的含混,还有思维的混乱。即争辩双方都违反了形式逻辑的基本规律:同一律。你挞伐的"丑书",并非"艺术的丑书",此"丑书"非彼"丑书",永远争不明白。故楚默的《中国书法丑书论》,从美学的高度区分不同的"丑书",从艺术边界立论,从书写的本质入手,拨开了累积起来的众多迷雾,还"丑书"以本来面目。
[Abstract]:The "ugly book" is an old and difficult problem in the confusion of the book world. The flee, the plea, the advocator each said each theory, each said the "Ugliness". In fact, most of them are visible and visible ugliness books on the level of epistemology. As for whether it is a art, the art beauty is not clear. Here is the confusion of concepts and the ambiguity of the artistic boundary. There is a confusion of thinking. That is, the two sides have violated the basic law of formal logic: the same law. The "ugly book" you have made is not "the ugly book of art", and this "ugly book" is not a "ugly book". The accumulated fog and the ugly book were taken as their true colors.

【分类号】：J292.1
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本文编号：1808259