汉字演变视阈中的钟繇书艺考论

发布时间：2018-04-27 17:51

本文选题：钟繇 + 刘德升　；参考：《东岳论丛》2017年01期

【摘要】：汉末魏初,汉字字体演变正发展到关键时刻,钟繇于此时师从曹喜、蔡邕和刘德升三位书法家,系统学习各种字体,并在后来的书写中不断总结经验,创制新体,后世将其所善诸体统称为"钟书三体",即隶书、楷书和行书,实际还应包括篆书。但是,因为家学家风、社会环境和个人性格等方面的原因,钟繇不善草书。钟繇在中国书法史上具有非常重要的影响,他在书写中传承古法,使当时出现的俗体逐渐成为正体,其书写中充满雅的气息,可以称得上是文人书法时代的真正开创者。
[Abstract]:At the end of the late Han Dynasty and early Wei Dynasty, the evolution of Chinese character fonts was developing to a critical moment. At this time, Zhong taught three calligraphers from Cao Xi, Cai Yong and Liu Desheng to study various types of fonts systematically. In the later writing, they constantly summed up experience and created new forms. Later generations called them "Zhong Shu three bodies", that is, Li Shu, script and book, and the reality should also include the seal script. However, because of the family study of family style, social environment and personal character, Zhong is not good at writing. Bell has a very important influence on the history of Chinese calligraphy. He inherits the ancient law in writing, making the vulgar style gradually becoming the body, and his writing is full of elegant flavor, which can be called the real creation of the age of calligraphy. A person.

【作者单位】：山东师范大学教育部人文社会科学重点研究基地山东省齐鲁文化研究院;
【基金】：国家社科基金艺术学项目“魏晋书法文化世家研究——政治与社会变迁视阈下的艺术史观”(14CF122)的阶段性成果
【分类号】：J292.1

【相似文献】