杨维桢破体书法研究

发布时间：2018-04-29 00:12

本文选题：破体书法 + 杨维桢　；参考：《东南大学》2016年硕士论文

【摘要】：杨维桢是元末东南文坛领袖,博学多才,其书法恣肆狂放,奇诡怪异,冲破了千篇一律的雅俗风格,在元代具有开创性意义。杨维桢破体书法将章草、今草与行草书相结合,对破体书法的发展具有重要意义。当下书法呈现多样性特征,研究杨维桢破体书法具有时代性,可以丰富对当下破体书法的认识。杨维桢破体书法深受当时时代、文化和书法因素的影响,这也是其破体书法的主导因素。杨维桢破体书法主要是从笔法、结体、风格中体现的,和谐的融五体笔意于一体,对破体的发展做出巨大贡献。自身书法创作汲取了杨维桢的破体书法,从章草笔的古朴、方笔的率意、重叠笔的厚重等笔法和各体融合的结体等方面借鉴了杨维桢的破体书法,并将其尝试运用到自身书法创作中。在自身书法创作中还汲取到怀素、二王、王铎的书法,并对自身书法创作做展望。
[Abstract]:Yang Weizhen was the leader of the southeast literary world in the late Yuan Dynasty. His calligraphy was unrestrained, strange and strange, and broke through the uniform style of elegance and vulgarity, which was of groundbreaking significance in Yuan Dynasty. Yang Weizhen's combination of cursive calligraphy and cursive calligraphy is of great significance to the development of broken calligraphy. The study of Yang Weizhen's breaking style calligraphy has the characteristics of the times, which can enrich the understanding of the current broken style calligraphy. Yang Weizhen was deeply influenced by culture and calligraphy factors, which was also the dominant factor. Yang Weizhen's calligraphy of broken body is mainly embodied in brushwork, knot and style, which harmoniously melts the meaning of five-body brushwork, and makes great contribution to the development of broken body. His own calligraphy works draw on Yang Weizhen's broken body calligraphy, and draw on Yang Weizhen's broken body calligraphy from the aspects of the ancient simplicity of the Zhang Cao pen, the rate of the square pen, the thick weight of the overlapping pen, and the combination of various styles. And try to apply it to its own calligraphy creation. In their own calligraphy also draw from Huaisu, two Wang, Wang Duo calligraphy, and make a prospect of their own calligraphy.
【学位授予单位】：东南大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J292.1

【参考文献】