要素辨析、范式抉择和维度确立:书法批评三问

发布时间：2018-05-04 17:34

  本文选题：书法批评 + 要素　； 参考：《中国书法》2017年22期

【摘要】：书法批评是批评主体对于书法的线条、结构、章法、意象、形式、风格、价值(或意义),包括它们产生所需要的主体、环境、技法、材料等条件和因素,以及书法与个人、社会、文化、历史所形成的多重关系,通过观看、感受、参与等方式加以理解、判断、阐释和评价。其要素有四,即理解、判断、阐释和评价。当代书法批评范式可整列为审美批评、文化批评等,笔者提出了新审美批评和文化历史批评。书法批评的维度可以从技法、审美、文化和创新四个方面来确立。
[Abstract]:Calligraphy criticism is the subject's criticism of the line, structure, constitution, image, form, style, value (or meaning) of calligraphy, including the conditions and factors needed to produce them, such as subject, environment, technique, material, etc., as well as calligraphy and individual. The multiple relationships formed by society, culture and history are understood, judged, interpreted and evaluated by watching, feeling and participating. There are four elements, namely, understanding, judgment, interpretation and evaluation. The paradigm of contemporary calligraphy criticism can be classified as aesthetic criticism, cultural criticism and so on. The author puts forward new aesthetic criticism and cultural and historical criticism. The dimension of calligraphy criticism can be established from four aspects: technique, aesthetics, culture and innovation.
【作者单位】： 苏州大学出版社;
【分类号】：J292.1
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本文编号：1843938