当代书法的审美空间感

发布时间：2018-05-07 01:14

本文选题：空间感觉 + 结体　；参考：《中国书法》2013年07期

【摘要】：正如果仅从艺术符号所构成的形式本身来看,书法最直观地呈现为一种审美化了的空间。准确地说,书法表现的是以点画、线条等形式单元"界"出来的空间,包括"字内空间"(结体)与"字外空间"(章法),由此可以说,书法是一门空间性艺术。宗白华认为,"每一种艺术可以表出一种空间感型。"[1]中国书法里的结体就显示了"中国人的空间感的型式"[2],书法与绘画、舞蹈相通,它的空间感觉与音乐舞蹈所引起的"力线律动的空间感觉"相类似。"书法中所谓气势,所谓结构,所谓力透纸背,都是表现这书法的空间意境"[3],书画所表现的,是一种"灵的空间"。
[Abstract]:If only from the form of artistic symbols itself, calligraphy is most intuitively presented as a kind of aestheticized space. Exactly speaking, calligraphy represents the space of "boundary" in the form of painting, lines and other forms, including "inside space" and "space outside words", so it can be said that calligraphy is a kind of spatial art. According to Zong Baihua, "every art can express a sense of space." [1] the knot in Chinese calligraphy shows "the pattern of the Chinese sense of space" [2]. Calligraphy is linked to painting and dancing. Its sense of space is similar to the sense of force rhythm caused by music and dance. In calligraphy, the so-called momentum, the so-called structure, the so-called strength of the paper back, are the performance of the calligraphy of the spatial artistic conception "[3], calligraphy and painting performance, is a" spiritual space.
【作者单位】：江西师范大学文学院;
【基金】：国家社科基金项目“中国古代时空美学研究”,批准号:10CZW009 “江西师范大学青年英才培育资助计划”的阶段性成果
【分类号】：J292.1

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