李匡师书法的再评价

发布时间：2018-05-07 04:05

本文选题：李匡师 + 书诀　；参考：《南京艺术学院》2007年硕士论文

【摘要】： 李匡师是韩国朝鲜后期的代表书家之一。他在王羲之书法的基础上，结合对篆隶本原的探求，创造了有特色的书体一员峤体。李匡师通过书论著作《书诀》，表述了自己的书法思想和对当时朝鲜及中国书法的观点。虽然在评议书法家优劣的时候表现出一定的主观偏向，但他重视并指出学习篆隶古碑增强功力的重要性这一点应当给予肯定。本文认为他是传入朝鲜的中国“南北书派论”抬头之前的书法家，没有区分南北书风的意识。他虽以王羲之体为中心，却也认识到王帖摹刻失真的弊端，从纠偏的角度确立了重视碑学的进步书法观。所以他最终成为致力于将从中国传入的姿态宽容道美而具有飘逸味道的南朝书风和沉重古朴、苍劲雄伟的北朝书风相调和的代表人物。本文批驳了金正喜等对李匡师的贬评，以还其应有的历史地位。
[Abstract]:Lee Kuang-shih is one of the representative calligraphers in the late stage of South Korea. On the basis of Wang Xizhi's calligraphy and the exploration of the original character of seal script, he created an agent with special characters. Li Kuangshi expressed his calligraphy thought and his views on Korean and Chinese calligraphy through his book theory. Although he showed a certain subjective bias in evaluating calligraphers' merits and demerits, he attached importance to and pointed out that the importance of learning ancient tablets from seal characters to enhance their abilities should be affirmed. This paper argues that he was a calligrapher before the rise of the "South-North Scholars" in China, and did not distinguish between the north and the south. Although he took Wang Xizhi as the center, he also realized the malpractice of the distortion of Wang tie's engraving, and established a progressive view of calligraphy from the angle of correcting deviation. So he finally became a representative figure who was devoted to reconciling the style of books of the Southern Dynasty with the ancient and majestic style of books of the Northern Dynasty. This paper refutes Jin Zhengxi's criticism of Li Kuang Shi in order to return his historical status.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J292.1

【共引文献】