儒学视阈下的小楷观念研究——以乾嘉时期为例

发布时间：2018-05-08 15:59

本文选题：乾嘉 + 儒学　；参考：《中国书法》2017年20期

【摘要】：清代乾嘉时期儒学兴盛。受儒学影响,乾嘉时期书家的小楷观念主要有三方面特点:一、"经世致用"观念下的实用小楷观。学者书家普遍以实用标准审视小楷,追求一种端正、平和的实用审美。二、儒学影响下的小楷取法观。学者书家在考据学影响下,弃宋帖小楷,取唐碑楷书。此外,在儒家审美与实用审美的影响下,学者书家追求小楷的"意趣"美。三、实学下的小楷技法观。书家学者为了考证秦汉碑版,多研习篆隶书。在篆隶审美的影响下,学者书家多以"悬臂"之法运全身之力作小楷,突出表现小楷的笔力,遂与前代小楷书家拉开了距离。
[Abstract]:Confucianism flourished in the Qianjia period of the Qing Dynasty. Under the influence of Confucianism, there are three main characteristics of the idea of small block letters in Qianjia period: first, the practical concept of small block letters under the concept of "using the world". Scholars generally use practical standards to examine small block letters, pursuing a correct, peaceful practical aesthetic. Second, under the influence of Confucianism, small block law. Under the influence of textual research, scholars abandoned the Song tie Xiaokai and took the Tang tablet script. In addition, under the influence of Confucian aesthetics and practical aesthetics, scholars pursue the "interesting" beauty of block letters. Third, the skill view of small block under the actual study. Scholars in order to verify the Qin and Han tablet version, more study seal script. Under the influence of the aesthetics of Zhuan Li, scholars often use the "cantilever" of the law to transport the whole body of small block letters, highlighting the pen power of small block letters, and thus distanced themselves from the previous generation of small block calligraphers.
【作者单位】：楚雄师范学院人文学院;
【分类号】：J292.1

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