元朝及以前书法景观文化遗产时空特征——基于《寰宇访碑录》及其补作数据库

发布时间：2018-05-13 09:08

本文选题：书法景观 + 书法文化地理　；参考：《地理研究》2017年05期

【摘要】：基于文献分析法和Arc GIS技术,使用《寰宇访碑录》及《补寰宇访碑录》所记载元朝及以前书法景观数据库,揭示了全国尺度下书法景观文化遗产时空特征,分析了书家、书体空间特征及其影响因素,并通过书家权重和模型进行了全国分省书法遗产资源评价。结果表明:(1)中国书法景观在时间上呈现出"四个高峰"和"两个过渡时期"特征,补充完善了已有相关研究;(2)空间格局演变与政治、经济中心转移密切相关,且主导影响因素存在南北差异;(3)以中原文化为中心的基本格局是明清文化重心转移的历史基础,反衬了江南经济发展后文化新格局形成的特征;(4)以书法景观为对象的边际递减评价模型是有效的,一定程度上反映了文化中心"东移南迁"历史态势和文化权力在评价过程中的决定性作用。
[Abstract]:Based on the literature analysis method and Arc GIS technology, using the database of calligraphy landscape recorded in the Yuan Dynasty and before, the authors reveal the space-time characteristics of calligraphy landscape cultural heritage on the national scale, and analyze the calligraphers. The characteristics of calligraphy space and its influencing factors were evaluated by the weight and model of calligraphers. The results show that the landscape of Chinese calligraphy shows the characteristics of "four peaks" and "two transitional periods" in time, and complements and perfects the related research.) the evolution of spatial pattern is closely related to the shift of political and economic centers. The basic pattern centered on the culture of the Central Plains is the historical basis for the transfer of the cultural center of the Ming and Qing dynasties. Contrasting with the characteristics of the new cultural pattern formed after the economic development of the south of the Yangtze River, the marginal decline evaluation model, which takes the calligraphy landscape as the object, is effective. To some extent, it reflects the historical situation of "moving east to south" and the decisive role of cultural power in the evaluation process.
【作者单位】：南京大学地理与海洋科学学院;南京财经大学工商管理学院;南京大学旅游研究所;江苏师范大学历史文化与旅游学院;江苏省城市规划设计研究院;东北师范大学地理科学学院;佛蒙特大学环境与资源学院;中山大学旅游学院;
【基金】：国家自然科学基金项目(40871072) “南京大学优秀博士研究生创新能力提升计划”项目(201502B009)
【分类号】：J292.1;K877.42

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